Table of Content

15 November 2019, Volume 36 Issue 6

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Analysis of the Properties of Data Rights Along with System Building #br# in the Era of Big Data#br#

2019, 36(6):  13-25. 

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 With the advancement of the era of big data, the interest conflicts between data protection and data utilization have been increasingly prominent due to the chaotic competition in the data industry. The usercentered unilateral protection framework has been unable to meet the demand for data utilization and innovation in the current era of data economy. In the process of building data right system, we should distinguish the status and properties of data rights, take into account the bidirectional dynamics of data economy and regulate data users’ and business dealers’ respective rights and interests by identifying personal information from digital assets, so as to form a more diversified data management system and facilitate the most optimized protection and utilization of big data resources.



Analysis of the Properties of Data Rights Along with System Building #br# in the Era of Big Data#br#

2019, 36(6):  26-40. 

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With the advancement of the era of big data, the interest conflicts between data protection and data utilization have been increasingly prominent due to the chaotic competition in the data industry. The usercentered unilateral protection framework has been unable to meet the demand for data utilization and innovation in the current era of data economy. In the process of building data right system, we should distinguish the status and properties of data rights, take into account the bidirectional dynamics of data economy and regulate data users’ and business dealers’ respective rights and interests by identifying personal information from digital assets, so as to form a more diversified data management system and facilitate the most optimized protection and utilization of big data resources.



On the Consumption, Supply and Policy of Screen Culture: Reflections #br# on the Market Trends and Industrial Policy of Screen Culture #br# Derivatives in 2018#br#

2019, 36(6):  41-54. 

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By sorting out the macro backgrounds of screen industrial economy and its policies based on the analysis method of “PEST”, the paper cites the online database to conduct both comprehensive researches and indepth case studies of the development trends of the screen derivatives in six categories of three major forms: dramas broadcast through satellite TV channels and network dramas, TV and network variety shows, network films and films released in cinemas and theatres, and summarizes the industrial characteristics and trends of the development of screen derivatives under the macro backgrounds. Finally, the paper puts forward suggestions for the industrial development of China’s screen derivatives from the perspective of industry management.



Revolution, Law and Women: On the Principle of Nofault Divorce #br# and the Liberation of Chinese Women in the 20th Century#br#

MA Shu

2019, 36(6):  55-64. 

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The principle of nofault divorce derived from concept of marriage freedom and was implemented to various extents at different stages of revolution. It was finally established with the passage of the Marriage Law in 1950, thus clearing the way for modern marital and family relationship. The implementation of the nofault principle has liberated women physically and mentally to a depth and extension unprecedented in history. Therefore，the principle of nofault divorce pushed forward Chinese women's liberation in the form of law in the 20th century, and the experience thus gained in the process of revolution is also an invaluable historical asset to Chinese women.



The Enabling Role of Agricultural Machinery: Farmers’ increasing #br# Subjectivity and its Social Effect during the Period of Collectivization#br#  with Jiajiazhang Village as an Example#br#

CHEN Yanjun

2019, 36(6):  65-78. 

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Based on the history of agricultural mechanization in Jiajiazhuang Village of Fenyang city in Shanxi Province, this paper focuses on farmers’ growing subjectivity in the process of agricultural mechanization and concludes that agricultural machinery played an “enabling” role with political implications. Agricultural machinery improved work efficiency, created agricultural modernization in the countryside and emancipated women due to its critical role in the genderdistinct labor division, thus becoming the driving force for the masses of farmers to emancipate mind and give full play to their subjective initiative. In a word, agricultural machinery empowered farmers the capability of “being their own masters” economically and politically. The political implication of the “enabling” role of agricultural machinery lies in the fact that in the manner of “overseas and local combination”, farmers integrated their own development into agricultural mechanization. In the process of agricultural mechanization which started with a nationwide massbased machinery reform, masses of farmers constituted the main body, so agricultural mechanization had traits of mobilizing social revolutionary. China’s development path to agricultural mechanization is the outcome of the dialectical thinking and the implementation of the mass line by the Communist Party of China based on national conditions in the 1950s. Taking agricultural mechanization as the starting point, this paper explores the ideological role of “technology” by trying to integrate both case studies of individual farmers and historical narration, in order to better understand China’s choice in the path to the popularization of agricultural science and technology and its historical significance. 



On the Genealogy of British Literary Criticism

TAO Shuiping

2019, 36(6):  79-96. 

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 Taking the disciplinary evolution of British literary criticism as an example, this article explores the theoretical forms of English language studies and disciplinary development of literary criticism in the light of their several transitional stages from the perspective of western academic history, in order to recognize and learn from the development law of the discipline of literary theories. Classical philology represented by Oxford and Cambridge in the 19th century was the embryo stage of British literary criticism; the period from the late 19th century to the early 20th century constitutes the transformation stage that witnessed the turn from classical philology to the discipline of British literary criticism; and the first twenty years of the 20th century can be deemed as the disciplinary establishment stage during which British literary criticism moved from the verge of university humanities education to the center. 



The Influence of Leftwing Politics' Conception of Globalization on#br#  Literary Aesthetics: Enlightenment from Hardt and Negri's#br#   “Empire” Trilogy#br#

MAI Yongxiong

2019, 36(6):  97-106. 

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In the field of contemporary leftwing radical politics, the “Empire” trilogy (Empire, Multitude and Commonwealth) coauthored by Michael Hardt from the United States and Antonio Negri from Italy has aroused widespread attention and discussions since the new millennium. Empire in particular is deemed as a landmark work of the revival of literary theories renaissance in the 21st century as the “Empire Study” it spawned has refreshed many concepts in contemporary western literary theories including those in semiotics and postcolonial criticism. Multitude, focused on new subjects fighting against the empire, is of special significance to the cyberspace game in the era of globalization and digitalization. Commonwealth conceives a democratic politics against imperial rule. Contemporary leftwing politics and Marxist literary aesthetics share rich and complicated ideological continuity or interact in spatial dialogues, as is typically exemplified in the “Empire” trilogy. The trilogy embodies the power of aesthetic Utopia and inspires reflections on the contemporary world system and new forms of literary aesthetics.



An Empirical Study of the Impact of New Green Urbanization #br# on Economic Growth#br#

MAO Yanbing, YUAN Yunke

2019, 36(6):  107-118. 

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 As China’s economy is transferring from highspeed to highquality growth, it is inevitable to take the connotative development path given the current economic situation. The humanoriented new green urbanization will facilitate sustainable and connotative economic development. Conventional urbanization has contributed to rapid economic growth, but also caused serious environmental pollution and massive discharge of garbage. New urbanization, as a new driving force and pattern of economic growth, should not only promote the economy in terms of quantity and speed, but also play a role in environmental governance so as to promote highquality economic growth. The research results show that new green urbanization has a significant role in promoting China’s economic growth by eliminating the economic growth gap among different regions and effectively relieving environmental pollution problems. As the central and western regions have more space to develop green urbanization, we should increase green investment in these regions, accelerate their urbanization process and aim at highquality urbanization so as to give full play to new urbanization and promote sustainable economic growth.



The Reputation of Chinese Artists in China and the West: A #br# Comparative Study Based on Big Data#br#

GAN Feng, FANG Hao, WANG Tingxin

2019, 36(6):  119-138. 

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 The reputation of Chinese artists, as epitome of Chinese cultural dissemination, reflects not only how China and the West perceives Chinese arts, but also the influence of Chinese culture in the world. There are significant cognitive differences between China and the West in viewing Chinese artists. China pays more attention to modern artists, while the West obviously “values the past far more than the present”, so there are sharp differences in the mechanism of reputation building and channels of fame obtaining between China and the West. The major channel for Chinese artists to gain reputation domestically is to be included into the narrative tradition in the history of Chinese arts while having multiple other identities such as literati and officials. The historical evolution of Chinese artists’ international reputation have been consistent throughout the times, yet featured with timesharing aggregation, which is inseparable from the nation’s fate on the whole. Both internal factors such as the source of artists’ inheritance and external factors such as religion, economy and trade, cultural exchanges have played an important role in influencing Chinese artists’ international popularity. A study of artists’ reputation based on big data will present a new research paradigm to the global dissemination of Chinese culture.