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Table of Content

    15 May 2015, Volume 32 Issue 3
    Articles
    Deepening Governmental Reform Emphasizing Streamlining
     Administration and Letting Go Powers
    ——the Thirteenth FiveYear Plan: A Key Step in
    Comprehensively Deepening Reforms
    FANG Shuan-Chi
    2015, 32(3):  1-15. 
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    In order to achieve the strategic goal of economic transition and upgrading in 2020, the key is to deepen governmental reform with a focus on streamlining administration and delegating more powers to lowerlevel governments and society in general. During the 13th fiveyear period, to achieve substantial breakthroughs in the reform of administrative system centering on coordinating governmentmarket relations is not only a grand challenge for economic transition and upgrading, but also a major task of the modernization in State governance system and governance capability.
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    Environment and Development: Idealism or Realism?
    ——An Example of “Energy Transition Law for Green Growth” in France
    BANG Feng, YAN Li-Dong
    2015, 32(3):  16-29. 
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     The legislation of environmental law among all nations is always in the dilemma between environmental protection and economic development. France enacted the “Energy Transition Law for Green Growth” in 2014 in the context of its own economic and social development. The Energy Transition Law aims at equilibrium between economic growth and the protection of energy system and environment, setting up a model and a new direction for environmental law legislation. Given the current situation in China, the principle of “protection first” in the newly amended Environmental Protection Law need restrained interpretation, and legislation of environmental law should transfer to “regulation and promotion”. Among China′s legal system in response to climate change, “Lowcarbon Economy Promotion Law” should be the basic law. We recommend that it should be formulated as an economic law based on the logic of the development of lowcarbon industry with an integrated design of energy, architecture, transportation and financial policies. Hopefully, the law will guide China′s economic transition, the growth of green economy and lowcarbon social development. 
    environment protection and economic development; Lowcarbon Economy Promotion Law; protection first; green economy; lowcarbon society
    The Pitfalls of Democratic Politics in the Era of Network Media——Alienation of Political Logic under the Pretext of Democratic Technology
    ZHANG Wen-Jun
    2015, 32(3):  30-41. 
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     Conflicts may arise between democratic politics and political equality in the era of network media. The causes of the conflicts lie in the fact that network media as a type of democratic technology contains two logics simultaneously: politics and market. The market logic is likely to erode and substitute the political logic, thus damaging political equality. Based on the empirical analysis of the data collected from the two cases: network media influence on public opinion and the rumor involving Red Crosses spread by web hypers, the paper expounds the possibilities that netizens be misled by network media which is manipulated by certain interest groups. Finally, strategies are proposed to ward off pitfalls of democratic politics in aspects of the relationships between political logic and market logic, between democratic technology and democratic values, between democratic value and political process.
    Fresh Reflections on “the Theory of Film Author”
    LA Fan
    2015, 32(3):  42-50. 
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     According to Francois Truffaut, the proposal of “film author” is to strengthen the “director personality”, i.e. bringing director′s individual ideas and designs into films. The theory of “film author” advanced with the rise and development of “the New Wave” film campaign and later on in its transmission grew into a film critic method or strategy, a new film theory and more than that, a new perspective in the historical studies of films. Yet the identification of the “film author” with the director as the singular author incurs critical reproach. We believe that since the day the “film author” was put forward, its concept and implication has been interpreted in comparison with literature author. However, the historical significance of “film author” theory to film has been neglected, as the negative effects are evident: the true connotation and significance of the “film author” theory is yet to be excavated, and even misinterpreted. We argue that a director is ostensibly regarded as a literature author according to the theory of “film author”, but between the lines it actually confirms the nature of film: it reveals the ontological property of film and liberates film radically from wordsdominated reading tradition, restoring the imagebased significance of film which as a technological invention has developed from entertainment “device” to narrative art, from silent to sound, from blackandwhite to colored over nearly 60 years
    Classification and Allegorization of Current Comedy Film Productions
    CHEN Xu-Guang, LI Yu-Jian
    2015, 32(3):  51-62. 
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    The relationship between the considerably booming comedy films and the social reality in China and other issues such as the realistic nature and realistic spirit of comedy films are without doubt worthy of indepth exploration and analysis. This paper, in the perspective of the “allegorization” of films, takes “reality textualization” and “theme allegorization” as the starting point, analyzes and expounds the artistic features of three representative subtypes of Chinese comedies and the relationship between allegorization and reality, concludes that comedy as an important type of film connects with reality, i.e. “links to the grassroots”, which is also a crucial reason why comedies are favored by audience and break box office records time again. Different types of comedies vary in reflecting reality or allegorizing in spite of some distortions and warps. Nevertheless, be it a black comedy which aims at value deconstruction and social stitching, or a metropolis love comedy which carries middle class′s dreams and imagination beyond reality, or a Fengstyled comedy which expresses secular concern, each presents allegorized images of “one or another type of reality” in China. Through the ideological analysis of functions of comedy films such as its allegorized expression of reality, healing by dreammaking and soul consolation to the social men, we can further understand the irremovable complicated relationship between comedies and the “entertainmentoriented” “era of grand comedies” on spiritual and cultural levels.
    The Influence of China′s Film Censorship over the TypeEvolution  of the Newgeneration Directors′ Works
    CHENG Bei, ZHANG Le-Shan
    2015, 32(3):  63-69. 
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     China′s film censorship has been lasting for near 70 years since the founding of PRC. Generally speaking, although Chinese film industry has gradually developed under the censorship and inspection of related national department and social opinions, needless to say, the present film censorship as a type of ideological management has a restrictive and disciplinary effect on contemporary Chinese films such as the newgeneration directors and their works. Yet we also notice the following phenomenon: since the new century, censorship has promoted and pushed forward the process of stereotyping of Chinese films with its particular logic, objectively causing the marketization of some films. Noticeably, the trial works by the newgeneration directors have entered the internal system. This paper intends to sort out and analyze the phenomenon in terms of film industrial policies and film texts and expound the influence of China′s film censorship on the typeevolution of the newgeneration directors′ works.
    Statistical Analysis of the Achievement Yield of Tang and Five Dynasties′ Literature Studies Home and Abroad in the 20th Century
    WANG Zhao-Feng
    2015, 32(3):  70-81. 
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    The total amount of Tang and Five Dynasties′ literature studies in China and abroad in 20th century reaches 34,818 items. The yearly achievement yield varied significantly with high yield in slump periods and low yield in peak periods. On the whole, the centennial research can be divided into four phases: the initial stage of taking first steps (1901—1919), the second stage of edging forward (1920—1953), the third stage of marching forward (1954—1981), and the fourth stage of rapid taking off (1982—2000). The achievement yield of the Tang Dynasty literature studies home and abroad in the 20th century has two major features. One is the unbalance of the achievement increase among different periods, taking the trend of early low and later high. In the first three periods, although the achievement yield increased gradually, the overall amount was still low, but in the last period of 1980s and 1990s, the yield took off dramatically. Secondly, the research hot issues take on the features of continuity and homoplasy on the one hand and differentiation on the other hand. From the time angle, since the studies of individual writers became popular in the 1920s and 1930s, the hot topics had been quite concentrated, focusing on Du Fu, Li Bai, Bai Juyi, Han Yu, Liu Zongyuan, Wangwei, Li He and Li Shangyin. From the angle of space, the research focus home and abroad is basically on some famous poets such as Du Fu, Li Bai, Bai Juyi, Han Yu, Liu Zongyuan, Wangwei, Li He, Li Shangyin, Liu Yuxi and Du Mu. But there were still differences: domestic scholars favored poet studies, while overseas scholars focused on both poets and novelists. 
     
    The Critical Studies of Charles Dickens in China (1904—2014)
    ZHANG He-Long
    2015, 32(3):  82-96. 
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    The critical studies of Charles Dickens in China were characterized by the emergence of particular critical paradigms in different historical stages. As a consequence of being influenced by various foreign critical resources against the dominant political, social or cultural context in each stage, the critical paradigms have shifted from the traditional Chinese criticism, biological criticism, political criticism to the current multiple perspectives and approaches, which have replaced the ultraleftist criticism prevailing for long in the previous century. Compared with the AngloAmerican Dickens Industry in the past 180 years, the 110yearlong Chinese scholarship of Dickens remains neither profoundly impressive nor highly innovative, but extremely promising in future.
    Interest, Identity and Institution: Research on the Growth of Urban Grassroots Social Organizations
    QIU Meng-Hua
    2015, 32(3):  97-106. 
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    In the context of residents being atomized and communities being fragmented, the continuing growth of the urban grassroots social organizations is an important guarantee to innovate social management, improve public services, strengthen social construction and cultivate civil society. The growth of the urban grassroots social organizations can not be fully explained from a single perspective of rational choice theory, historical institutionalism theory or social capital theory. Therefore, it is necessary to construct a comprehensive explanatory framework of interestidentityinstitution on the basis of the integration of the three theories. The growth of urban grassroots social organizations is the process of residents′ collective participation and collaboration in community public affairs under the mixed mechanism of interests, identity and institution.
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    Historical Evolution and Realistic Enlightenment of Private Rights Soon After the Founding of the PRC
    DUAN Fan
    2015, 32(3):  107-117. 
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     During the early period after the founding of the PRC, the private capitalist economy gained development instead of being restrained or eliminated due to its benefits to national economy and people′s livelihood. Respecting, protecting and promoting individual economy and private capitalist economy which carry the content of the private rights was a critically precious step in exploring the right road to the transition to socialism. The activation of “private” elements by developing capitalist economy, cooperative economy and individual economy was the concrete embodiment of acknowledging and endowing all types of subjects with private rights. During the political revolutionary process from the new democratic society to socialist society, freezing out and depriving private rights was not destructing social objects but a type of reform. In the new historical period and development phase, respecting social subjects′ private rights and endowing them with due private rights again is not setting things right, but still a kind of reform. We cannot make a rash conclusion that China′s New Democratic Revolution is radical or untimely or that socialist reform is error correcting and regressive on the basis of the veneer that the reformist nature of both socialist revolution and socialist reform is to deprive and endow private rights. Both the New Democratic Revolution which is political revolution and China′s socialist reform which is social revolution made great contribution to the progress of social productivity, the increase of China′s national comprehensive strength and the improvement of people′s wellbeing, thus going down in history and setting up historical exemplars and offering realistic enlightenment for future development and reform. 
    The Rise of the Fourth Power: Netizen Opinion Supervision
    Facilitating New Media Advertising Industry′s Self Discipline
    CHA Can-Chang, MENG Ru
    2015, 32(3):  118-128. 
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     Due to the absence of legislation targeting new media advertising, the advertising industry based on new technology platforms like the internet and mobile phones has been loosely regulated since its emergence, thus gaining the momentum of rapid development. However, some new media advertisers lack selfdiscipline awareness, leading to the abuse of information free transmission rights, rampant spreading of fake ads, junk ads and porn ads and severe infringements on consumer rights. With the increase of netizen population and their enhanced discourse capability, their sustained supervision over new media advertising is forming an important fourth power, working together with government rules and regulations, the internal management of new media advertising releasing platforms and self discipline within the industry to push forward advertisers and ad agencies to enhance their sense of social responsibility and professional ethics, and to supervise and direct the new media advertising industry toward the regulated road of sound development.
    Vocal China: the Evolution and Development
    of the CPC′s Discourse System
    TAO Chao-Hua, GU Chao
    2015, 32(3):  129-140. 
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    Effective employment of language tools and discourse publicity of ideology and theories has always been an important vehicle for the Communist Party of China (CPC) to mobilize the masses and win victories. Over more than ninety years of vicissitudes, the ideological and theoretical system of the CPC has been constantly evolving and developing. Its voice transforms from the initial inexperienced, sporadic and less matured slogans, speeches, banners and political essays into systematic, complete and maturing Marxismdominated discourse system with Chinese characteristics. By tracing the tracks of the evolution of the CPC′s discourse system, this paper aims at expounding and analyzing discourse changes in relation to its environment, finding out the impetus to discourse change and development, charting the direction for future adjustment and development while sticking to the current discourse system and exploring issues of discourse elaboration, its reform and development in the allmedia as well as globalization era.
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