上海大学学报(社会科学版) ›› 2015, Vol. 32 ›› Issue (6): 23-39.

• 影视理论研究 • 上一篇    下一篇

互联网“新业态”下中国电影产业文化滑坡的反思

黄式宪(1934-),男,上海人。北京电影学院电影文学系教授。   

  1. 北京电影学院电影文学系,北京 100088
  • 收稿日期:2015-08-30 出版日期:2015-11-15 发布日期:2015-11-15
  • 作者简介:

Rethinking the Cultural Degeneration of Chinese Film Industry under the Internet “New Format”

  1. Department of Film Literature, Beijing Film Academy, Beijing 100088, China
  • Received:2015-08-30 Online:2015-11-15 Published:2015-11-15

摘要: 近三五年来,中国电影产业持续以30%左右的年度平均增长率领跑全球市场,其票房连连井喷,呈现出一派市场繁荣的景象。但是,伴随着中国市场经济的高速成长,人们对物质财富无节制的追逐和对“泛娱乐化”的盲目放纵,促使一种纯粹物质主义的感官享乐被这个市场所鼓动,并成为新的时尚。以BAT网络资本寡头所统领的互联网企业,乃借势而兴,竟逐步开启了对电影产业的侵袭和颠覆。他们借助“互联网+电影”这一新兴的电商营销模式而推出了一种“新业态”,一则促成了电影票房的节节飙升(但仅限于国门之内),与此同时,更导致时代的主流价值观渐渐淡出银幕。东方电影美学的经典性及其主体精神,一点点遭到蚕食并被推到无可遏止地向下滑坡的困局。当务之急,我们需要清醒地应对好莱坞霸权的挑战,冲破“互联网+电影”这一电商营销业态的自我封闭与妄自尊大,在现代文明的意义上来推进中国电影全产业链的建构,迎接21世纪中国文化的伟大复兴。

关键词:  , &ldquo, 互联网+电影&rdquo, ; &ldquo, 泛娱乐化&rdquo, ; 唯票房至上; 现代电影全产业链; 时代主流价值观; 中国东方主体美学精神

Abstract:  Chinese film industry has been leading the global film market for the past three to five years by keeping an average annual increase of 30%. The box office records have been broken time and again, presenting a booming and thriving prospect. However, with the highspeed growth of China’s market economy, the unconstrained pursuit for materialistic wealth and the blind indulgence in “excessive entertainment” has led to a purely materialistic sensual hedonism instigated by the market, thus becoming a new fashion. The Internet enterprises led by the BAT (Baidu, Alibaba, and Tencent) online capital magnets take the chance and gradually invade and subvert the traditional film industry. By dint of a newlyrising Ecommerce sales mode of the “Internet+Film”, they have promoted a “new format”. The results are twofold: the constant takingoff of the box office records (domestically only) on the one hand, and the gradual waning of the mainstream values of our times on the other hand, which means that the classicality and subject spirit of the Eastern film aesthetics is instead eroded inch by inch to the extent of unstoppable slip. Now it is essential that we keep a somber mind to cope with the challenge from the Hollywood hegemony, break away from the self closure and arrogance of the Ecommerce sales format of “Internet+Film” and push forward the construction of the whole industrial chains of Chinese films based on modern civilization so as to meet the great rejuvenation of Chinese culture in the 21st century.

Key words:  “Internet+Film”, “excessive entertainment”, the overriding importance of box office, the whole industrial chains of the modern film, the mainstream values of the times, Chinese Eastern subject aesthetic spirit

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