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上海大学学报(社会科学版) ›› 2025, Vol. 42 ›› Issue (5): 31-57.

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数智时代未来电影的技术革新、主体重构与伦理反思

  

  1. 范 静 涵:浙大城市学院 新闻与传播学院

    范 志 忠:浙江大学 传媒与国际文化学院

  • 出版日期:2025-09-15 发布日期:2025-09-22
  • 作者简介:
    范静涵，浙大城市学院新闻与传播学院讲师。
    范志忠，浙江大学传媒与国际文化学院教授，浙江大学求是特聘教授，国家万人计划哲学社会科学领军人才，博士。
  • 基金资助:
    国家社会科学基金艺术学重大项目（20ZD19）

Technological Innovation, Subject Reconstruction and Ethical Reflection on Future Cinema in the Age of Digital Intelligence

  1. FAN Jinghan: School of Journalism and Communication, Zhejiang University City College
    FAN Zhizhong:School of Media and International Culture, Zhejiang University,
  • Online:2025-09-15 Published:2025-09-22

摘要：

数字技术与人工智能的迅猛发展正深刻改变着电影的制作、传播与接受方式，推动着电影艺术迈向数智时代。在数智技术的驱动下，未来电影呈现出数字化、生成化与交互化的显著特征与发展趋势。生成式人工智能解构并赋能传统电影产业化创制流程，催生人机协同创作的新模式。与此同时，人工智能生成内容版权争议、算法消解主体性、拟真影像引发认知异化等问题，凸显了技术理性与主体性价值间的冲突。未来电影需立足“人机共生”，以伦理规约平衡效率与艺术性，实现技术革新与人文精神的协同进化。

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Abstract:

The rapid advancement of digital technology and artificial intelligence (AI) is profoundly transforming the production, distribution, and reception of films, ushering the art of cinema into an era of digital intelligence. First, driven by these technologies, future cinema is characterized by trends toward digitization, generative creation, and interactivity. Second, generative AI is simultaneously deconstructing traditional film production processes and empowering new forms of creativity, fostering a new paradigm of human-machine collaboration. At the same time, issues such as copyright disputes over AI-generated content (AIGC), the erosion of human subjectivity by algorithms, and cognitive alienation induced by hyper-realistic imagery underscore the tension between technological rationality and values of human subjectivity. The future of cinema must therefore be founded on“human-machine symbiosis.”This approach requires the establishment of ethical guidelines to balance efficiency with artistic integrity, thereby achieving a harmonious evolution between technological innovation and the humanistic spirit.

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