上海大学学报(社会科学版) ›› 2018, Vol. 35 ›› Issue (6): 45-.

• 影视理论研究 • 上一篇    下一篇

从形式探索到幻觉形成:电影本体#br# 变革中的孙瑜早期电影

  

  1. 上海大学 上海电影学院
  • 收稿日期:2018-03-10 出版日期:2018-09-15 发布日期:2018-09-15

From Forms to Illusions: The Early Works of Sun Yu during the#br#  Transformation of Film Ontology

  • Received:2018-03-10 Online:2018-09-15 Published:2018-09-15

摘要:

1930年代中国电影从无声向有声的转变,是堪比“国片复兴”与“左翼电影运动”的重要历史推动力。孙瑜在此期间的电影创作经历了这一转变的完整历程,作为一个在影戏传统的影响下创作,并以积极介入社会现实的故事为电影内容的作者式导演,一方面他积极吸收欧美叙事电影的经典技法,另一方面他对电影的表意形式、煽情效果的主动探索与运用又使他的作品呈现出十分复杂的形式外观,而这种形式的复杂揭示出孙瑜早期的电影创作正处于一种由曾经稳定的形式本体——默片,过渡到另一种形式本体——有声电影的中间阶段。

关键词: 孙瑜, 电影本体, 吸引力电影, 有声电影

Abstract:

 The silenttosound film transformation in the 1930s significantly drove China’s cinematic development, comparable to the movements of “National Film Renewal” and the “Leftwing Cinema”. The exemplary figure who experienced the whole process of the transformation during the period was Sun Yu. Sun started his career in late 1920 sand was influenced by “Ying Xi” (“Shadowplay”). As both a writer and a director, Sun actively engaged in social reality, as can be seen from the films he produced. He absorbed western classic narrative techniques in filmmaking on one hand, and made active exploration into other forms of expressions and effects of conveying feelings on the other hand. As a result, his early film works appeared to be complex in forms and appearance, possibly indicating that these works were in the midway of the silenttosound film transformation.

Key words: film ontology, sound film, Sun Yu, cinema of attractions