上海大学学报(社会科学版) ›› 2018, Vol. 35 ›› Issue (6): 103-.

• 文学语言 • 上一篇    下一篇

作者·叙述者·读者#br# ——抒情诗中诗人面具之锻造

  

  1. 云南大学 叙事学研究中心
  • 收稿日期:2017-12-01 出版日期:2018-09-15 发布日期:2018-09-15

Author, Narrator and Readers:Creation of the Poet’s#br#  Masks in Lyric Poetry

  • Received:2017-12-01 Online:2018-09-15 Published:2018-09-15

摘要:

不同文体的特征造成了文本中叙述人与作者之间的距离从贴近到疏离的不同变化。与其他非诗文体相比,读者在阅读诗歌的时候,有两方面的原因会影响其阅读:一方面,作者与读者往往将诗歌中的抒情主人公视为作者本人,但实际则是作者在诗歌中塑造了戴着不同面具的“我”;另一方面,尽管读者可对诗歌的意义进行多种解读,但作者仍然可以通过其诗歌修辞,对内部结构进行调整,此外,还可以副文本的题解或注释方式来控制读者对文本的理解维度,展现多个不同的抒情诗人形象。
关键词:不同文体的特征造成了文本中叙述人与作者之间的距离从贴近到疏离的不同变化。与其他非诗文体相比,读者在阅读诗歌的时候,有两方面的原因会影响其阅读:一方面,作者与读者往往将诗歌中的抒情主人公视为作者本人,但实际则是作者在诗歌中塑造了戴着不同面具的“我”;另一方面,尽管读者可对诗歌的意义进行多种解读,但作者仍然可以通过其诗歌修辞,对内部结构进行调整,此外,还可以副文本的题解或注释方式来控制读者对文本的理解维度,展现多个不同的抒情诗人形象。

关键词:  , 抒情诗, 作者, 读者接受, 叙述者, 修辞

Abstract:

 The styles of different literary genres result in changing distances between the narrator and the author in a text. Poetic texts are different from nonpoetic ones in that readers of poetry are influenced by two factors in their interpretative efforts. For one thing, it is often the case where the poet and his readers regard the “I” in the text as the poet himself although the poet has in fact created his variants wearing different masks. For another, the poet is nonetheless able to control the readers’ interpretation of his poetry and displays his alternative images by means of poetic rhetoric, internal restructuring, and paratextual devices like introductory remarks and authorial notes.

Key words: author, rhetoric; , readers reception, narrator,  lyric poem