上海大学学报(社会科学版)

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现代电影编剧理论的奠基人——悉德·菲尔德论

  

  1. 上海视觉艺术学院新媒体艺术学院
  • 出版日期:2017-09-15 发布日期:2017-09-15

Syd Filed: The Founder of Modern Screenwriting 

  • Online:2017-09-15 Published:2017-09-15

摘要:

 悉德·菲尔德是与罗伯特·麦基齐名的著名电影编剧理论家。他所著《电影剧本写作基础》等书成为编剧初学者入门的必读经典。他的编剧理论重基础,讲实效,接地气。他提出电影剧本写作的“三段式结构”和四大条块诀窍,凸显传统影响痕迹,强调剧本中前后两大情节点的重要性,强调构思电影剧本最先考虑的是结尾而不是开头。他促成现代电影编剧理论的创立,是电影编剧学的先驱者和实践者,是电影剧本写作的启蒙导师和习作引领者。当然,悉德·菲尔德的编剧理论偏于保守,对非线性叙事电影等的关注度略显不足。

关键词: 三段式结构, 故事视觉化, 悉德·, 菲尔德, 情节点

Abstract:

Syd Field is a renowned screenwriting theorist, as famous as Robert McGee. Field’s Screen Play: The Foundations of Screenwriting is regarded as a bible to screenwriting beginners. His theories of screenwriting underscore basics, effects and practicality. The “threeact structure” and the fourquarter tip proposed by Field reflects the trace of traditional influence and the importance of two major plot points ina screen play, holding that top priorities should be given to the end instead of the beginning in plot planning. As the founder of the modern screenwriting theories, Field is also a forerunner and practitioner of the study of the screenwriting, a mentor and guru to screenwriting learners. On the other hand, Fields’ screenwriting theories are comparatively conservative and care less about nonlinear narrative movies.

Key words: plot point, Syd Field, story visualization, threeact structure