English

上海大学学报(社会科学版) ›› 2016, Vol. 33 ›› Issue (5): 47-60.

• 影视理论研究 • 上一篇    下一篇

时代欲望的隐蔽书写——论近年来国产喜剧中的家国元素

  

  1. 中国人民大学 文学院
  • 收稿日期:2016-05-30 出版日期:2016-09-15 发布日期:2016-09-15
  • 通讯作者: 中国人民大学 文学院

Portraying the Hidden Desires of the Times: On Family and Community Elements in Recent Domestic Comedy Films

  • Received:2016-05-30 Online:2016-09-15 Published:2016-09-15

摘要：

  国产喜剧是重要的电影类型。可以从两个角度对之进行研究：一是主要从传统的坚守、现代的冲击、从家而国的想象三个方面来讨论包括中国传统的家庭观念，以及主要由此种家庭观念延伸发展起来的一系列涉及共同体构造的观念（如友情、乡谊、国家感情等），此类家国元素已成为近十年来中国喜剧生产最活跃也是最核心的故事内容。二是当前国产喜剧对家国元素的运用普遍存在同质化的倾向，喜剧人像是借此掩饰自我内心的欲望动机。“初恋潘多拉化”及“父辈与子辈的双向羁绊”是这种掩饰常见的两种症候。
关键词：

关键词: 中国传统家庭, 个人, 欲望, 国产喜剧, 父权

Abstract:

 Domestic comedy film is an import film genre, which can be researched in the following two perspectives. Firstly, traditional Chinese family values and a series of communitybased values such as friendship, ties among fellow villagers or townsmen and feelings for the nation derived and developed from family values are discussed from three aspects: sticking to tradition, modern impact and familytostate imagination. The family and community elements have become the most active and central story contents in Chinese comedy films over the past decade. Secondly, the family and community elements are homogeneously applied in domestic comedy films by filmmakers, seeming to hide their innermost desires and motives. “Pandorization of first love” and “bilateral fetters between father and son” are two common symptoms of the concealment.
Key words：

Key words:  domestic comedy films, individuals, patriarchy, traditional Chinese family, desires