上海大学学报(社会科学版) ›› 2016, Vol. 33 ›› Issue (5): 20-31.
• 影视理论研究 • 上一篇 下一篇
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摘要:
《木兰花》是电影中的经典。影片中的父子关系、性别和社会关系等美国化主题是分析该片的关键。以此为契机,在运用多人物和分立故事展现精致的多样性的同时,也试图通过电影特有的抽象化建构一致性;演员的过度表演方法突出了多样性与一致性的平衡。影片沿用了传统情节剧的忏悔场景以及非常当代的反个人主义,展现出人性即爱这个核心主题。
关键词:  , 多样性与一致性, 过度表演, 爱, 反个人主义, 忏悔场景
Abstract:
Magnolia is a classic movie. The themes like parent-child relationship, gender and social relations are the key to the movie analysis. Based on these themes, the movie not only demonstrates exquisite diversity by portraying diverse characters and independent stories, but also constructs homogeneity through abstraction particular in films. The excessive performance of the cast highlights the balance between diversity and homogeneity. The movie follows the “the scenes of confession” in traditional melodrama, but very contemporary anti-individualism. The movie presents a central theme that human nature is love.
Key words: excessive performance, scenes of confession, antiindividualism, diversity and homogeneity, love
阿兰·巴迪欧. 要么去爱,要么孤独——关于《木兰花》[J]. 上海大学学报(社会科学版), 2016, 33(5): 20-31.
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https://www.jsus.shu.edu.cn/CN/Y2016/V33/I5/20