上海大学学报(社会科学版) ›› 2013, Vol. 30 ›› Issue (5): 27-36.

• 影视艺术 • 上一篇    下一篇

 论转型期中国电影的
观念变革与文化创新
——从工业、艺术、文化三个维度的审视

  

  1. 北京大学艺术学院
  • 收稿日期:2012-06-15 出版日期:2013-09-15 发布日期:2013-09-15
  • 作者简介:陈旭光(1965),男,浙江东阳人。北京大学艺术学院教授,博士生导师,北京大学影视戏剧研究中心主任。

On the Conceptual change and Cultural Innovation of
China' s Film during the Transitional Period——From the perspectives of industry, art and culture

  1. School of Arts, Peking University
  • Received:2012-06-15 Online:2013-09-15 Published:2013-09-15

摘要:  新世纪以来,中国电影业在世纪末低潮和改革阵痛中艰难而又快速发展。自改革开放以来,电影观念发生了剧烈的蜕变与革新。在某种意义上说,电影发展史也就是电影观念变革的历史。在电影观念的变革中,电影的美学形态、叙事形态、美学观念等也同时发生重要的变化。立足于中国电影工业观念、艺术观念、文化价值观念等几个重要方面,梳理总结这些观念变革的来龙去脉及其与好莱坞影响的复杂关系,有助于探求中国电影在电影观念剧烈变革和多元并存背景下产业发展与文化创新的道路。

关键词: 艺术电影, 类型电影, 精英文化, 大众文化, 文化创新

Abstract: After the low tide of the end of last century, China' s film industry has been developing rapidly amidst the pangs of reform as the new century begins. Radical conceptual changes have occurred since China' s reform and opening up. In a sense, the history of China' s film development is also a history of the evolution of film concept. As the film concept transforms, there are also significant changes in the film' s aesthetics, narrative strategy and artistic form. Viewed from a broad perspective that encompasses film industry, film aesthetics and cultural values, this paper looks into the cause and effect of the conceptual changes of China' s film and seeks to understand the complex relationship between these changes and the influence of the Hollywood movies, the purpose of which is to suggest new direction for the development of China' s film industry and cultural innovation of China' s films in a context of radical conceptual changes and cultural diversity.

Key words: art film, genre film, elite culture, mass culture, culture innovation

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