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上海大学学报(社会科学版) ›› 2011, Vol. 18 ›› Issue (4): 28-36.

• 影视理论研究 • 上一篇    下一篇

身体在时间中的呼喊与细语 ——关于影片《呼喊与细语》的再读　　                          

  

  1. 华东师范大学传播学院，上海 200062
  • 出版日期:2011-07-15 发布日期:2011-07-15

Body' s Cries and Whispers in Practice
——A Reinterpretation of Ingmar Bergman' s Film Cries and Whispers

  1. School of Communications, East China Normal University, Shanghai 200062, China
  • Online:2011-07-15 Published:2011-07-15

摘要：

在伯格曼的影片《呼喊与细语》中，身体及对身体的触摸以前所未有的方式被凸现出来，身体在时间中彰显其意义。正是在时间中，身体成了人与人纠结的场所，人与神沟通的桥梁，发出了它不可遏制的呼喊与细语。由此，玛丽亚与卡琳扑朔迷离的关系得到了解读：古老的红色背景中玛丽亚的美丽身体彰显了它在时间中的意义；安娜与艾格尼丝“此在”的身体，把过去和未来交织和融为一体，完成了人与神沟通的重责。正是在这个意义上，我们也许可以说，伯格曼的影片《呼喊与细语》就成了世俗版《圣经》关于身体的神性的“呼喊与细语”。

关键词: 关键词： 英格玛·伯格曼；《呼喊与细语》；身体；人神沟通

Abstract:

In Ingmar Bergman' s film Cries and Whispers, body and body touch come out in an unprecedented way, and body displays its significance inside the time. It is by this way that body becomes a place where human beings entangle each other, and a bridge where human beings and God communicate, sending out unrestrained cries and whispers. As a result, the mysterious relation between Maria and Karin is interpreted: Maria' s beautiful body in the ancient and red background shows its significance inside the time; the present bodies of Anna and Agnes are a mixture of past and future, accomplishing the mission of communication between human beings and God. It is in this sense that we may say that Ingmar Bergman' s film Cries and Whispers becomes a worldly version of the Holy Bible, interpreting body' s deiform cries and whispers.

Key words: Ingmar Bergman; Cries and Whispers; body; communication between human beings and God