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上海大学学报(社会科学版) ›› 2011, Vol. 18 ›› Issue (4): 20-27.

• 影视理论研究 • 上一篇    下一篇

女性意识是革命意识形态的剩余物——“十七年电影”底层女性的群体特点  　

  

  1. 上海大学 影视艺术技术学院，上海 200072
  • 出版日期:2011-07-15 发布日期:2011-07-15
  • 基金资助:

    上海市第三期重点学科电影学项目（S30103）

The Female Consciousness as a Remainder of Revolutionary Ideologies
——The Group Traits of the Bottom Women in the “17 Years” Film

  1. School of FilmTelevision Arts and Technologies, Shanghai University, Shanghai 200072, China
  • Online:2011-07-15 Published:2011-07-15

摘要：

新中国成立后，电影根据国家意识形态的需要，配合主流政治，用革命话语对传统故事形式进行了全面的征用与改造，特别是借用底层妇女的形象，以建构个人对阶级的归属及对政党的服从关系，用现代革命话语完成对传统意识形态的替换。这类影片虽然集中塑造了女性角色，但仍然是一套男权话语的言说机制；无产阶级革命话语对女性意识具有内在的排斥性。“女性”承担了对主流意识形态的建构功能，但却没有对女性自身的言说，只是阶级符号而非性别代表。新中国“十七年”很少有真正意义上的现代女性电影。
 

关键词: “十七年”电影；女性形象；革命话语；意识形态

Abstract:

Since the foundation of the new China, the Chinese film, according to the requirement of the ideology of the country, has cooperated with the mainstream politics. On the one hand, it uses revolutionary speeches to make an overall requisition and transformation of traditional story forms, especially the images of the bottom women, so s to construct the personal attachment to the class or the personal obedience to the political party; and on the other hand, it seeks to finish the substituting of modern revolutionary speeches for traditional ideologies. The film such as this, although making a concentrated creation of women’s characters, cannot get away from the old rut of the patriarchal discourse, because the proletarian speech of revolution possesses an inherent rejection of women’s consciousness. The socalled women take on a function of construction for the mainstream ideology but lack of the speech for women themselves, which displays that they are only classsigns instead of gendersymbols. During the “17 years” film in the new China, it is rare for real modern women.