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上海大学学报(社会科学版)

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试论新媒体动画（数字三维动画）的媒介本体

  

  • 收稿日期:2010-12-06 出版日期:2011-05-15 发布日期:2011-05-15

A Brief Comment on the Media Object of the
New Media Animation (Digital 3D Animation)

  • Received:2010-12-06 Online:2011-05-15 Published:2011-05-15

摘要：

数字三维动画在20世纪90年代问世，之后很快风靡全球。这样一种新形式的动画作品对艺术理论提出了许多新的问题。首先，数字媒体不同于一般媒体，它不具实体，是一种寄生于其他媒体的媒体，所有被数字媒体寄生的媒体因而失去了自身的特性，变成了同质化的数字媒体。数字媒体既可隐性地存在，也可以显性地呈现。对于动画片来说，隐性生存的数字媒体混同于一般动画，而在偶动画的领域，数字媒体分别在“造型”和“运动”这两个方面彰显自身，它将偶动画和手绘动画的长处揉和在一起，创造出了一个新的动画品种。也正是因为数字媒体表现出了与传统媒体的不同，所以它才能够作为一种新的艺术媒体类型得以呈现。
关键词：

关键词: 动画, 新媒体, 数字三维动画

Abstract:

A Brief Comment on the Media Object of the
New Media Animation (Digital 3D Animation)(School of Communications, East China Normal University, Shanghai 200062, China)Abstract： Digital 3D animation was produced in 1990s, and, after that, it quickly became popular all over the world. For such a new animation as this, a lot of new issues are produced in the artistic theory. First, digital media is different from ordinary media. It doesn't have an entity, only being a kind of media parasitic on other media, all of which lose their features and become homogeneity-oriented digital media. Digital media can exist either in a recessive way or in an explicit way. For animation, digital media existing in a recessive way is confused with ordinary animation. But in the aspect of eekangsa, digital media displays itself both in figure and in movement. It combines the advantage of eekangsa with the advantage of hand-drawing animation, creating a new kind of animation. Also it is the expression of digital media different from traditional media that is considered as a new kind of artistic media.

Key words: animation, new media, digital 3D animation