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上海大学学报(社会科学版) ›› 2011, Vol. 18 ›› Issue (2): 16-22.

• 影视理论研究 • 上一篇    下一篇

现代电影理论的建构 ——重新评价“新感觉派”电影论的理论遗产　

  

  • 收稿日期:2010-11-26 出版日期:2011-03-15 发布日期:2011-03-15

The Construction of the Modern Film Theory
——A ReEvaluation of the Theoretical Heritage of the NeoSensualism in Films

  • Received:2010-11-26 Online:2011-03-15 Published:2011-03-15

摘要：

“新感觉派”电影论的遗产可以分成理论和批评两个方面。新感觉派的电影批评是一种“有理论”的批评，但是却是一种没有历史意识的批评，其结果是其理论（颇为讽刺和带有报复性地）长期被历史所拒斥。比较合理的态度应该是在认同对其批评的同时，也应对其理论上的贡献予以合理的肯定。由此，作者根据目前所能接触到的最新材料，梳理了以刘呐鸥、穆时英为代表的“新感觉派”文人书写的所有电影理论文字，归纳了其电影理论体系的主张，探寻了其书写和西方电影理论的渊源关系以及自身的创新之处，并试图重新评价其在电影本体论意义上所具有的理论价值。

关键词: 新感觉派；软性电影；电影理论；本体论

Abstract:

According to the authors of this essay, the theoretical heritage of the neosensualism in films can be divided into two aspects: theory and criticism. The criticism of neosensualism is a sort of "theoretical" review without historical awareness. As a result, for a long period of time, this kind of theory has been (ironically and revengefully) rejected by history. It is more reasonable to approve its theoretical contribution while affirming its weakness. Hence, based on the careful collection of the latest materials concerned, the authors work up all the related theoretical writings of neosensualists' advocators, who are headed by Liu Na' ou and Mu Shiying, synthesizing their opinions on the film theory, and seeking for their correlation with the Western film theory and their own innovation, so as to reevaluate the theoretical value on the viewpoint of film noumenon.

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