English

上海大学学报(社会科学版) ›› 2011, Vol. 18 ›› Issue (1): 27-35.

• 影视理论研究 • 上一篇    下一篇

“影戏”传统对“十七年”电影叙事的影响　　

  

  • 收稿日期:2010-11-20 出版日期:2011-01-15 发布日期:2011-01-15

The Influence of the "Dramatic Film" Tradition on the "17 years" Film Narrative

  • Received:2010-11-20 Online:2011-01-15 Published:2011-01-15

摘要：

 虽然“十七年”（1949—1966年）电影从中外文化中汲取的滋养是多方面的，可以说是“多祖”现象，但“影戏”作为一种电影观念对新中国电影创作产生的影响之深，范围之广，又是其它电影主张所不能与之相提并论的。“影戏”传统可以描述为：故事是第一位的，注重矛盾冲突，注重电影的教化功能以及影像的辅助作用，而这些要素在“十七年”电影中能够找到明确的对应，“十七年”电影虽然在具体的呈现方式上稍有变奏，但主体部分是和“影戏”传统一脉相承的。

关键词: 关键词： &ldquo, 十七年&rdquo, 电影；&ldquo, 影戏&rdquo, 传统；故事；冲突

Abstract:

Although the "17 years" film (1949—1966) draws nourishment from the multifarious cultures of both China and foreign countries, thus producing a phenomena that can be said to comprise multiple resources, the "dramatic film", as a concept of the film, gives a deep, extensive influence on the creation of the film in new China, which can not compare with other concepts of the film. The tradition of the "dramatic film" can be described as the follows: the story narrative is primary, and a great importance is attached to the contradictory confliction, to the educational function of the film, and to the auxiliary role of the image, all of which can be found a specific parallelism in the "17 years" film. While the "17 years" film has a little change in the aspect of detailed expressions, the main body comes down in one continuous line with the tradition of the "dramatic film".
 　

Key words:  the "17 years", film, the "dramatic film", tradition, narration, confliction