上海大学学报(社会科学版)

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再造当代“女性气质”——论周迅及其银幕形象中的性别政治

  

  1. 上海大学影视艺术技术学院
  • 出版日期:2010-04-25 发布日期:2010-04-25
  • 作者简介:王艳云(1976),女,山西高平人。上海大学影视艺术技术学院讲师,博士。
  • 基金资助:

     上海市第三期重点学科“电影学”项目(S30103);上海市教育委员会科研创新项目(09YS72)

Remodeling Contemporary "Femininity"
——The Gender Politics in Zhou Xun and Her Screen Images

  • Online:2010-04-25 Published:2010-04-25

摘要:

作为当下华语影视女演员里最具代表性的一位明星,周迅创造出独特的“精灵”气质。她为当代女性在性别政治的建构中塑造出一种理想化的文化表征,是社会意识、电影市场与大众媒体的宠儿,有着巨大的诱惑力。周迅所营造的女性气质主要从三方面建构而成。首先,女性的身体成为一个“被结构的多义体”, 通过身体的易容,达成自我建构与欲望奇观的双重神化;其次是女性所面临的诱惑与惩罚的模式,成为性别秩序中永恒的传说;最后是女性在受虐中的担当与牺牲,既在对母性的心理认同中实现自我,又难逃男性权力游戏的困境。

关键词: 周迅;女性气质;性别政治

Abstract:

Zhou Xun, as a most representative star in contemporary actresses of the Chinese film and television, has created a unique "wizard" temperament. Being an idealized cultural representation in construction of the gender politics of contemporary women, she has become a favorite of social ideology, film market and mass media, having great allure. The "femininity" created by Zhou Xun consists mainly of three aspects. First, the female body works as a "structured polysemy thing", and, by turning the body, achieve the double apotheosis of selfconstruction and desire wonders; secondly, the temptation and punishment faced by females has become a mode, an eternal legend in the order of genders; Finally, the responsibility and sacrifice by aggrieved females, although achieving selfworth in psychological recognition of motherhood, is difficult to escape the plight of male power games.

Key words: Zhou Xun; femininity; gender politics

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