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上海大学学报(社会科学版)

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社会表演学：现实与虚拟之间

孙惠柱   

  1. 上海戏剧学院
  • 收稿日期:2007-11-10 修回日期:1900-01-01 出版日期:2008-01-15 发布日期:2008-01-15

Social Performance Studies: Between the Real and the Virtual

  1. Shanghai Theatre Academy, Shanghai 200040, China
  • Received:2007-11-10 Revised:1900-01-01 Online:2008-01-15 Published:2008-01-15

摘要： 表演学源自戏剧研究，发展到涵盖所有人类的表演活动，其四种范式是：剧场表演学、人类表演学、口头表演学、社会表演学。后者是最具中国特色的一种，强调要分析现实社会和虚拟表演之间多层次多样式的过渡关系，在社会表演和艺术表演领域中探索更多更好的改善方法。

关键词: 人类表演学, 社会表演学, 社会规范, 摹仿, 虚拟现实

Abstract: Performance studies (PS), derived from theatre studies, has evolved to cover all human performative activities. Unlike the three older types of PS in the westtheatre PS, human PS, and oral PS, social performance studies is unique with Chinese characteristics, focusing on various liminal genres between the real and the virtual, intended to explore better and more diverse ways in the areas of social performance and artistic performance.

Key words: social performance studies, social norm, mimesis, virtual reality, performance studies

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