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上海大学学报(社会科学版)

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对影视剧中母女“共生”关系的审视

吴小丽   

  1. 上海大学影视艺术技术学院
  • 收稿日期:2007-01-22 修回日期:1900-01-01 出版日期:2008-01-15 发布日期:2008-01-15
  • 通讯作者: 吴小丽

A Survey of the Symbiosis between Mother and Daughter in Film and Television Plays

  1. School of FilmTelevisions Arts and Technologies, Shanghai University,
  • Received:2007-01-22 Revised:1900-01-01 Online:2008-01-15 Published:2008-01-15

被引次数

4

摘要： 从心理学和社会学分析，母女之间亲密的“共生”关系，是社会关系中的一个特指，并具有深度的人性和文化内涵。“共生”导致女性在潜意识中对母亲的依赖以及个体逃离这种关系的艰难；而母亲形象由于受到几千年父权文化的建构，具有了双重的属性，在父权体制中起着辅助性的功能。让母亲发出属于自己的声音，让女儿从母亲的庇护下解放出来并获得个体和精神的真正独立，是影视作品女性意识建设的新课题。
母女形象；“共生”关系；父权；建构；女性意识

关键词: 母女形象, “共生”关系, 父权, 建构, 女性意识

Abstract: Psychologically and sociologically, symbiosis between mother and daughter is a specific reference in social relations, connoting deep humanity and culture. The symbiosis means that a daughter unconsciously depends on her mother and is bound by the relationship, while a mother plays a function of an assistant in the long paternity culture, which gives mother double attributes. To wake feminine consciousness of filmandtelevision works is to let the mother speaks what she wants and to free the daughter from her mother's care to be independent, both physically and mentally.

Key words: symbiosis, paternity, construction, feminine consciousness, images of mother and daughter

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