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上海大学学报(社会科学版)

• 影视理论研究 • 上一篇    下一篇

论钟惦棐的电影美学观念和人格精神

周斌   

  1. 复旦大学中文系，上海 200433
  • 收稿日期:2007-05-09 修回日期:1900-01-01 出版日期:2007-09-15 发布日期:2007-09-15

On Zhong Dian-fei's View on Film Aesthetics and His Personality

ZHOU Bing   

  1. School of Humanities, Fudan University, Shanghai 200433, China
  • Received:2007-05-09 Revised:1900-01-01 Online:2007-09-15 Published:2007-09-15

被引次数

1

摘要： 作为中国电影美学的重要奠基者和开拓者之一，钟惦棐的电影美学观念值得认真梳理和深入研究，由此既能更清楚地看出他对中国电影美学的贡献，也有助于推动中国电影美学学科的建设和发展。由于钟惦棐历来强调电影艺术家和评论家要注重自身修养，故其电影美学观念也体现和渗透着他的人格精神，对此也实有必要进行探讨和总结。

关键词: 钟惦棐, 电影美学观念, 人格精神

Abstract: Zhong Dianfei is one of the founders or pioneers of Chinese film aesthetics, whose view on film aesthetics is worth considering and investigating. In this way, his contribution to the Chinese film aesthetics can be understood more clearly. Also it will be useful to give an impetus to the construction and development of the learning. Due to his consistent emphasis on the selfcultivation of film artists and critics, his view on film aesthetics embodies and permeates his personality, for which it is necessary to make a probe and summary.

Key words: film aesthetic, personality, Zhong Dianfei

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