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上海大学学报(社会科学版)

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生存价值与情爱思想的新“在场”——析电视连续剧《乡村爱情》的女性意识

薛中军，杨岳征   

  1. 上海大学影视艺术技术学院，上海 200072
  • 收稿日期:2007-01-22 修回日期:1900-01-01 出版日期:2007-07-15 发布日期:2007-07-15

The New Anwesen of Living Value and Love Ideology——A Brief Comment on the Female Consciousness in the TV Series Love in Villages

XUE Zhong-jun,YANG Yue-zheng   

  1. School of FilmTelevision Arts and Technologies, Shanghai University, Shanghai 200444, China
  • Received:2007-01-22 Revised:1900-01-01 Online:2007-07-15 Published:2007-07-15

摘要： 电视连续剧《乡村爱情》的女性意识极具象征性，其内在意义是“超性别”的。它通过对中国农村几名年轻人不同情爱生活的诠释，以及对女性价值及情爱思想的展现，折射并关注现代女性的一种自我总结、自我发现的成长经历。它同所有艺术作品一样，产生于对当下社会文化的审美诉求，其女性意识的活力同样来自和这一社会背景所构成的文化张力。

关键词: 女性, 情爱, 意识

Abstract: The female consciousness in the TV series Love in Villages is much symbolic, the inherent connotation of which goes beyond the sex itself. By an annotation of the different love lives of several young men in villages, and by a display of female value and love ideology, it concerns and reflects on modern women’s growing experience of selfsummation and selfdiscovery. Just like other artistic works that are produced to meet the aesthetic need of today’s social culture, its vitality of female consciousness comes from the cultural tension derived of the background of the society.

Key words: love, consciousness, female

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