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上海大学学报(社会科学版) ›› 2007, Vol. 14 ›› Issue (6): 24-29 .

• 哲学 • 上一篇    下一篇

克罗齐与西方美学现代转型——试论克罗齐学说在美学史上的意义

张敏   

  1. 上海大学 影视艺术技术学院，上海 200072

  • 收稿日期:1900-01-01 修回日期:1900-01-01 出版日期:2007-11-15 发布日期:2007-11-15
  • 通讯作者: 张敏

Croce and the Modern Transformation of Western Aesthetics

——The Significance of Croce's Theory in the History of Western Aesthetics

Zhang Min   

  1. School of Film & TV Arts and Technology, Shanghai University, Shanghai 200444, China
  • Received:1900-01-01 Revised:1900-01-01 Online:2007-11-15 Published:2007-11-15
  • Contact: Zhang Min

PDF

1479

被引次数

20

摘要： 克罗齐是康德、黑格尔之后西方影响最大的美学家。作为西方美学现代转型的枢纽，克罗齐美学立足于从主体的方面看感性直觉，不但完成了对传统美学的批判性总结，而且为现代美学做出了开拓性建树，推动西方美学实现了从认识论到价值论的现代转型。

关键词: 克罗齐美学, 心灵哲学, 价值论, 西方美学的现代转型

Abstract: Croce is the most influential expect of aesthetics in the west after Kant and Hegel . As the turning point of western aesthetics’ modernization, Croce aesthetics observes intuition on the basis of subjectiveness. It not only sums up the traditional aesthetics critically, but also accomplishes developments for modern aesthetics expansively. And in this way, western aesthetics has been pushed to achieve its modernization from epistemology to axiology.

Key words: philosophy of spirit, axiology, ransforming of axiology, modernization of western aesthetics, Croce aesthetics