上海大学学报(社会科学版) ›› 2026, Vol. 43 ›› Issue (3): 60-69.

• • 上一篇    下一篇

作为思想实验的不可判定性电影 

  

  1. 中国社会科学院大学 文学院


  • 出版日期:2026-05-15 发布日期:2026-05-26
  • 作者简介:桂琳,中国社会科学院大学文学院教授。研究方向:影视理论。

The Undecidable Film as Thought Experiment 

  1. School of Chinese Language and Literature, University of Chinese Academy of Social Sciences


  • Online:2026-05-15 Published:2026-05-26

摘要:

不可判定性电影,指的是一种保持结构模糊和意义含混的电影形式。这种新电影形式最近几年被主流商业影视创作采用,创制出《芭比》《好东西》等比较有代表性的不可判定性电影作品。不可判定性电影既是新世纪以来电影产业在面临诸多挑战时进行重组和改造后的产物,也彰显了电影产业新的发展方向。这一新电影形式的出现,也给电影研究和评论带来挑战。电影理论家托马斯·埃尔塞瑟提出的“作为思想实验的电影”的研究路径对研究不可判定性电影具有很大的理论启发性。


关键词: 不可判定性电影, 思想实验, 临界点, 电影产业

Abstract:

The“undecidable film”refers to a cinematic form characterized by structural ambiguity and semantic indeterminacy. In recent years, this emerging form has entered mainstream commercial production, giving rise to  representative works such as Barbie and Her Story. The undecidable film is not only a product of the film industry’s restructuring and transformation in response to various challenges since the new century but also represents a promising new direction for its future development. However, the emergence of this new form poses significant challenges to film scholarship and criticism. In this context, the research trajectory of“film as thought experiment,”proposed by film theorist Thomas Elsaesser, offers profound theoretical inspiration for analyzing the undecidable film. It is argued that approaching these films as thought experiments allows for a deeper understanding of their function in navigating contemporary cultural contradictions.


Key words: undecidable film, thought experiment, tipping point, film industry

中图分类号: