上海大学学报(社会科学版) ›› 2023, Vol. 40 ›› Issue (3): 76-87.

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“以道驭技”: 电影工业美学的技术伦理路径

  

  1. 大连理工大学 人文学部;中国科幻研究中心
  • 收稿日期:2023-01-10 出版日期:2023-05-15 发布日期:2023-05-15

“Controlling Technicality with Morality”: The Path of Technology Ethics to Film Industry Aesthetics

  1. Department of Humanities, Dalian University of Technology; China Science Fiction Research Center
  • Received:2023-01-10 Online:2023-05-15 Published:2023-05-15

摘要: 电影工业美学的构建既要遵循特定范式的美学样态,表现为一种超越性意义的主体性思考与中国电影经验,又需在开放性的考察视野中抵达“诗意境地”的技术界碑。在这层意义上,电影工业美学的拓展路径自然指向了技术之思的道德想象,即技术伦理“负责任道德向善”的核心地带。技术伦理作为电影工业美学新拓的可能存证,或将重思电影技术与人之异化、景观体验、道德物化等一系列伦理命题,重新接续电影工业美学与技术伦理尚未耦合的崖缝,从而真正在多元、宽忍、融贯一体的理论建构愿景中,实现质的跃升与“人是目的”的电影工业美学伦理关怀。

关键词: 电影工业美学, 技术伦理, “以道驭技”, 道德想象力

Abstract: The development of film industry aesthetics should not only follow the aesthetic pattern of a specific paradigm, as is embodied in transcendental subjective thinking and Chinese film experience, but also adopt an open perspective to reach the technical landmark of “poetic state”. In this sense, one natural way of expanding film industry aesthetics is to exploit “moral imagination” to reflect on technology, which is the core of technology ethics— “responsible morality for goodness”. A possible new development of film industry aesthetics, technical ethics may rethink a series of ethical propositions such as the relationship between film technology and the alienation of people, landscape experience, and moral materialization, and re-bridge the gap between film industry aesthetics and technological ethics, so as to truly realize the qualitative leap in the theoretical construction of film industry aesthetics and achieve its ethical concern of “people being the goal” in a pluralistic, tolerant, inclusive and integrated manner.

Key words: film industry aesthetics, technology ethics, “controlling technicality with morality”, moral imagination

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