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上海大学学报(社会科学版) ›› 2022, Vol. 39 ›› Issue (1): 54-73.

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看电影：实践范式下的媒介#br# 理解及其想象力#br#

  

  1. 上海大学 新闻传播学院
  • 收稿日期:2021-09-10 出版日期:2022-01-15 发布日期:2022-01-15

Watching Films: Understanding Media under the Paradigm of Practice and the Imagination Beyond

  1. School of Journalism and Communication, Shanghai University,
  • Received:2021-09-10 Online:2022-01-15 Published:2022-01-15

摘要：  可以提出一种基于实践的电影/媒介研究进路，以此表明并不存在所谓“固定”“独特”的电影/媒介，不同的观看实践形式使电影/媒介在交流信息、组织关系等方面展现出其殊异性。由此种殊异性出发，观众与世界的关系被持续变化的媒介实践不断重置。与传统意义上的传播研究不同，作为媒介的电影不仅仅指向可见的影像文本或显性的物质实体，更代表了观众通过影像观看实践与外部世界建立联系的努力。电影/媒介研究由是不仅仅是对于影像本身的关切，更关乎人们如何通过对影像的观看实现其“在世之在”。

关键词:  , 电影/媒介, 媒介实践, 存在论

Abstract:  This article attempts to propose a practical approach to film/media research, to show that film/medium is not a “fixed” or “unique” concept. Different media practices lead to film/medium particularities in the process of exchanging information and organizing relationships. Due to the particularities, the relationship between the audience and the world is constantly reset by the ever-changing media practice. Different from the traditional communication research, this article holds that film as a medium, is not only a visible video text and an explicit material entity itself, but also an embodiment of the audience’s efforts to establish connection with the outside world through watching moving images. Therefore, film/media research should not only focus on images, but also on how audience achieve“being in the world” through the practice of watching films.

Key words:  , film/media, media practice, ontology

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