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上海大学学报(社会科学版) ›› 2021, Vol. 38 ›› Issue (6): 130-138.

• • 上一篇    

梦入繁花 ——奥迪隆·雷东象征主义绘画作品中的花卉入画

  

  1. 1.贵州民族大学 民族艺术研究院 2.贵州大学 哲学与社会发展学院
  • 收稿日期:2020-03-15 出版日期:2021-11-15 发布日期:2021-11-15

Merging Dream into Flowers —The Theme of Flowers in Odilon Redon’s Symbolist Paintings

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  1. 1. Research Institute of Guizhou Ethnic Culture and Arts, Guizhou Minzu University; 2. School of Philosophy and Social Development, Guizhou University
  • Received:2020-03-15 Online:2021-11-15 Published:2021-11-15

摘要： 奥迪隆·雷东是法国19世纪后期象征主义绘画的领军人物。梦入繁花是雷东作品营造的重要意境。雷东基于自身独特的生命体验和绘画语言赋予花卉多重寓意，在主客之间建立起“秘密的亲缘关系”，对于象征主义美学原则的确立有着特殊而普遍的意义。从花卉入画的绘画史看，雷东对写实主义与印象主义进行了反动与推进，从而在写实花卉、写意花卉之外创造了抽象花卉，丰富了花卉入画的审美风格类型。

关键词: 象征主义, 奥迪隆·雷东, 花卉题材

Abstract: Odilon Redon was a leader of French Symbolist painting in the late 19th century. Merging dream into flowers is an important artistic device to create images in Redon’s works. With his unique life experience and painting language, Redon established a “secret kinship” between the subject and the object, which is of special and universal significance to Symbolist Aesthetics. Viewed from the history of flower painting, Redon created a new type of abstract flowers different from realistic or ideographic flowers by reactivating realism and advancing impressionism, thus enriching the aesthetic types of flower painting.

Key words:  symbolism, Odilon Redon, theme of flower painting

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