上海大学学报(社会科学版) ›› 2021, Vol. 38 ›› Issue (4): 38-49.

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协商现代性:#br# “电懋”家庭情节剧的类型与文化#br#

  

  1. 中国人民大学 文学院
  • 收稿日期:2020-03-15 出版日期:2021-07-15 发布日期:2022-01-12

Negotiating Modernity: Observations on MP&GI’s Family Melodramas

  1. School of Liberal Arts, Renmin University of China, 
  • Received:2020-03-15 Online:2021-07-15 Published:2022-01-12

摘要: 国际电影懋业有限公司是二战后香港电影史上最重要的制片公司之一。受到中国早期电影传统及好莱坞类型电影的双重影响,该公司制作的家庭情节剧,多以家庭、婚恋为中心,折射出战后香港中产阶级处于变化中的价值观念,它一方面肯定传统伦理道德中的某些积极因素,另一方面又强调现代价值观念的普适性,特别是通过对各类女性形象的塑造,这一类型体现了协商现代性的努力,投射出20世纪50—60年代的香港国语片在“冷战”背景下的独特面貌与文化想象。

关键词: 协商现代性, 香港电影, 国际电影懋业有限公司, 家庭情节剧

Abstract:  MP&GI was one of the most important film production companies in  Hong Kong after World War II. Centering on such issues as family and marriage, the family melodramas produced by MP&GI were influenced by both early Chinese cinema and Hollywood, reflecting the changing values of the middle class after the war. This genre affirmed positive factors of traditional Chinese ethics, meanwhile stressing the universality of modern values. Through different women characters, MP&GI’s family melodramas reflected the negotiation between modern and tradition, thus projecting the cultural traits of Hong Kong mandarin cinema in the 1950s-60s against the Cold War context.

Key words: Key words: negotiating modernity, Hong Kong cinema, MP&, GI, family melodrama

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