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上海大学学报(社会科学版) ›› 2020, Vol. 37 ›› Issue (2): 46-56.

• 影视理论研究 • 上一篇    下一篇

洋玩意、新时尚与现代生活：理解早期上海电影现代性的合法维度#br#

  

  1. 上海大学
  • 出版日期:2020-03-15 发布日期:2020-04-30

Foreign Goods, New Fashion and Modern Life: Justifiable Dimension of Understanding the Modernity of Early Shanghai Films#br#

  • Online:2020-03-15 Published:2020-04-30

摘要： 1918—1930年是中国电影的初创期，以革命性为评价标准的《中国电影发展史》对初创期电影的总体评价极低，然而，如果以现代性的确立为标准，考察中国电影是否体现了某种现代性，是否推动了中国社会的现代性，以上海为主体的早期中国电影就会呈现出不可忽视的价值。它们给中国人带来了直观的声光电现代体验，是白话现代主义文化启蒙的主战场，塑造了国人新的生活方式，也建构了国人的民族认同。

关键词: 关键词： 早期上海电影, 现代性, 白话现代主义, 国族认同

Abstract: Early Chinese films were produced during the years of 19181930. The book A History of the Development of Chinese Films, which evaluates films in the perspective of revolution, thinks poorly of early Chinese films on the whole. However, taking the criterion of modernity or examining a film by judging whether it expresses certain modernity or pushes forward the modernity of Chinese society, we will find that early Chinese films dominated by Shanghai films have a great value that cannot be ignored. The early films brought Chinese people a brandnew visual and sound experience powered by electricity at that time. In addition, they constituted as the major battlefields supporting vernacular modernism, shaped a new lifestyle for Chinese people and formed national identification.   

Key words: Key words： early Shanghai films, modernity, vernacular modernism, state and national identification