上海大学学报(社会科学版)
• 影视理论研究 • 上一篇 下一篇
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摘要:
杨德昌在处理理智与情感时,表现出强烈的作者在场。他的作品,更多的是一种自我理智与情感交织的结果,是作者自我冲突的典型呈现。这是一种典型的介入式写作,这种写作方式,由于多倾向于对自我历史、自我情感、自我情绪等的反刍,从而呈现出一种自我氧化的效果。杨德昌正是通过这种包浆式写作,使其作品具有了一种非凡的光泽。
关键词: 理智, 自我氧化, 反刍, 情感, 包浆式写作
Abstract:
Edward Yang shows strong “author’s presence” in his films while addressing “sense and sensibility”, different from that in films like Springtime in a Small Town. His films demonstrate more of his personal conflicting “sense and sensibility”. As a typical type of intrusive writing, his works acquire the inclination to ruminate the author’s personal history, emotions, feelings and the like as well as an effect of “selfoxidation”. It is through this “wrapped slurry styled writing” that endows Yang’s films with distinctive brilliance. Key words: Sense; sensibility; selfoxidation; ruminate; wrapped slurry styled writing
万传法,田硕. 理智与情感:杨德昌的情感困惑与作者立场——杨德昌及其电影研究[J]. 上海大学学报(社会科学版).
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https://www.jsus.shu.edu.cn/CN/Y2018/V35/I4/34