上海大学学报(社会科学版)

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理智与情感:杨德昌的情感困惑与作者立场——杨德昌及其电影研究

  

  1. 上海戏剧学院戏剧文学系
  • 出版日期:2018-07-15 发布日期:2018-07-15

Sense and Sensibility: Edward Yang’s Emotional Complexity and#br#  Author’s Presence:A Study of Edward Yang and His Films

  • Online:2018-07-15 Published:2018-07-15

摘要:

杨德昌在处理理智与情感时,表现出强烈的作者在场。他的作品,更多的是一种自我理智与情感交织的结果,是作者自我冲突的典型呈现。这是一种典型的介入式写作,这种写作方式,由于多倾向于对自我历史、自我情感、自我情绪等的反刍,从而呈现出一种自我氧化的效果。杨德昌正是通过这种包浆式写作,使其作品具有了一种非凡的光泽。

关键词: 理智, 自我氧化, 反刍, 情感, 包浆式写作

Abstract:

 Edward Yang shows strong “author’s presence” in his films while addressing “sense and sensibility”, different from that in films like Springtime in a Small Town. His films demonstrate more of his personal conflicting “sense and sensibility”. As a typical type of intrusive writing, his works acquire the inclination to ruminate the author’s personal history, emotions, feelings and the like as well as an effect of “selfoxidation”. It is through this “wrapped slurry styled writing” that endows Yang’s films with distinctive brilliance.
Key words: Sense; sensibility; selfoxidation; ruminate; wrapped slurry styled writing