上海大学学报(社会科学版)

• 文学研究 • 上一篇    

伊恩·麦克尤恩《蝴蝶》中的城市之熵

  

  1. 济南大学 外国语学院
  • 出版日期:2018-05-15 发布日期:2018-05-15

On Urban Entropy in Ian McEwan’s “Butterflies”

  • Online:2018-05-15 Published:2018-05-15

摘要: 当代英国作家伊恩·麦克尤恩在短篇小说《蝴蝶》中刻画了伦敦能量流失且信息熵匮乏的城市熵增状态。“地下世界”的在场、狄俄尼索斯的复返、社区效能的弱化使作家形塑的城市地质空间、主体心灵空间和社会文化空间呈现出荒芜、诡异、封闭的熵化特征,反映了发展与衰落、文明与野蛮、移情与区隔之间的角力,影射出城市从混乱到湮没的可能性。作家对城市之熵的书写是“恐怖伊恩”时期的特定产物,指向了其创作早期对与启蒙精神相契合的“线性进步观”的质疑,对城市命运的追问及对城市边缘主体生存境遇的隐忧。

关键词: 伊恩·麦克尤恩, 《蝴蝶》, 城市,

Abstract: In “Butterflies”, Ian McEwan depicts the entropic state of London in terms of energy loss and inadequacy of negative entropy. The presence of the “underground”, the return of Dionysian spirit and the deficiency of community performance construct an entropic city where desolation, uncanniness and isolation permeate London’s geographic space, the protagonist’s psychic space and the city’s socio-cultural space. Urban entropy reveals the conflicts between development and deterioration, between civilization and barbarism, and between empathy and distinction. It suggests Ian MacAbre’s skepticism about the notion of “linear progress” that is in accordance with the ethos of the Enlightenment, insinuates the vulnerability and uncertainties of the city, and reveals McEwan’s deep concern for the existential predicaments of marginalized subjects in the city.

Key words: the city, entropy , Ian McEwan, “Butterflies”