上海大学学报(社会科学版)

• 影视理论研究 • 上一篇    下一篇

论全球化视域下中国电影的观念变革、作用与影响

  

  • 出版日期:2017-11-15 发布日期:2017-11-15

On Conceptual Transformation, Role and Influence of Chinese Films  in the Perspective of

  • Online:2017-11-15 Published:2017-11-15

摘要:

世界电影的新格局和新态势不断形成。在当前世界电影的新格局中,好莱坞电影的强势竞争不断增加,而中国电影如何开拓海外市场的策略以及影响世界电影发展的新态势,也成为令人关注的新议题。在全球视野下,中国电影如何从思想、内容到表现,从个性到风格都具有鲜明的中华文化特色与普泛意义。不同的文化消费形式与电影文化相联,成为共同的诉求。在全球电影产业发展中,中国电影不断反思,及时校准观念与方向,与那些自欺欺人、投机取巧的扭曲价值观,与绑架了中国现行电影创作的拜金主义告别,转而变为新的、开放的、包含现代性的话语选择和推动海外电影传播的有效策略,是一种必然。

关键词: 电影市场, 现代性, 关键词: 全球化, 观念变革, 第二重空间

Abstract:

 Against the background of world film industry constantly gaining new patterns and momentum and increasing competitiveness from the Hollywood movies, how to expand overseas market and influence the new momentum of world films becomes an attentioncatching new agenda for Chinese films. In the perspective of globalization, how to acquire both distinct cultural traits and universal values in terms of thought, content, expression, individuality and style, and how to associate different forms of cultural consumption with film culture turns out to be a common appeal for the Chinese films. During the process of global film development, it is inevitable for Chinese films to constantly reflect on its own, adjust concepts and directions in time, bid farewell to distorted values like selfdeception, speculation and money worship that has abducted the current creation of Chinese films, and turn to a new effective strategy, which is open to new modernistic discourse choices and can promote the overseas film communication.

Key words: globalization, space of the second dimension, film market, conceptual transformation, modernity