上海大学学报(社会科学版) ›› 2015, Vol. 32 ›› Issue (5): 117-128.

• 文学与艺术 • 上一篇    下一篇

抗战时期的漫画传播

  

  • 出版日期:2015-09-15 发布日期:2015-09-15

he Transmission of Cartoons during the Period
of AntiJapanese Invasion

  • Online:2015-09-15 Published:2015-09-15

摘要: 五四”新文化运动,使得美术摆脱了传统艺术的束缚,融入到现代艺术发展的洪流中。随着现代传播媒体的日益发达,漫画在现代美术传播中脱颖而出,在它成长的初期,便成为揭露帝国主义侵略野心和批判封建王朝腐朽没落的重要武器。到了抗日战争时期,漫画作为一种美术形式,被艺术家们广泛地运用到了这场以民族解放为己任的卫国战争中。漫画家们走出画室,走上街头,用画笔激励民众抗击外来入侵者的斗志,极大地鼓舞了人们战胜侵略者的勇气和信心,同时,在动摇敌方的士气中也发挥了重要的作用。漫画家们已然成为这场波澜壮阔的卫国战争中的一支独特和重要的抵抗力量。

关键词: 美术传播, 美术宣传, 抗日战争, 美术史

Abstract:  The “May Fourth” New Cultural Movement brought fine arts away from the ivory tower of traditional art into the torrents of modern art development. With the increasing advancement of modern media, cartoons singled out in the modern fine arts. It became an important vehicle of disclosing the imperialists' ambition of invasion and the feudal monarchy's corruption and decadence. During the AntiJapanese Invasion period,cartoons as a fine art have been widely employed in the war of national liberation and motherland protection. Cartoonists went out of the studios into the streets, boosting the morale of the masses to resist foreign invasion with cartoons, which immensely lifted the public's courage and confidence in defeating invaders and played an important role in crippling the enemy's morale. Cartoonists were obviously a unique and important defensive force in the massive and turbulent war of national defense.

Key words: the War of AntiJapanese Invasion, the history of fine arts, the transmission of fine arts, the publicity of fine arts