上海大学学报(社会科学版)

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论加达默尔对视觉存在论的反思

  

  1. 复旦大学 艺术教育中心
  • 收稿日期:2012-10-23 出版日期:2014-03-15 发布日期:2014-03-15
  • 作者简介: 高燕(1975),女,安徽定远人。文学博士,复旦大学艺术教育中心副教授,主要从事西方美学、视觉文化、影视美学研究
  • 基金资助:

    复旦大学亚洲研究中心资助课程(201311);复旦大学本科教学研究资助课题(201207)

On Gadamer’s Reflection on the Ontology of Vision

  • Received:2012-10-23 Online:2014-03-15 Published:2014-03-15

摘要: 追求唯一确定性的思想指向和二元化的思维结构使视觉成为西方形而上学传统的形象化表达,加达默尔对存在之真理的探索就是通过解构传统形而上学的视觉中心主义和建构阐释学的视觉存在论来实现的。加达默尔从视觉对象与视觉主体之间存在的关系去理解视觉观看,并通过对游戏的具体论述建构其视觉存在论,消解了视觉观看坚守的主客对立和主体对客体的优先性,使视觉观看在返诸自身中具有了存在论涵义。加达默尔对视觉存在论的揭示,为重新确认沦落于现世黑暗之中的个体生命存在的本然自足提供了一条可能的途径。
 

关键词: 加达默尔, 视觉存在论, 视觉模仿, 游戏

Abstract: The valorization of a single determinacy and the dualistic mode of thinking have made vision a visualized expression of the Western metaphysical tradition. Gadamer deconstructs visual centrism in traditional metaphysics and then constructs an ontology of vision in the tradition of hermeneutics, by which he explores and investigates into the truth of existence. Gadamer interprets visual observation on the basis of how the object affects the existence of the subject in the act of seeing and perceiving, and constructs his ontology of vision through a detailed explication of the concept of“play”. He undermines the subject/object opposition and questions the privileged status of the subject. Thus, in his philosophical system, visual observation turns upon itself and acquires an ontological status. Hence, Gadamer’s ontology of vision might guide the individuals lost in the darkness of the world to a reaffirmation of the autonomous and selfsufficient state of human existence.
 

Key words: Gadamer, ontology of vision, visual imitation, play