上海大学学报(社会科学版)

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美学的超越与回归

  

  1. 中国社会科学院文学研究所
  • 收稿日期:2013-08-27 出版日期:2014-01-15 发布日期:2014-01-15
  • 作者简介: 高建平(1955),男,江苏扬州人。中国社会科学院文学研究所研究员,博士生导师,瑞典乌普萨拉大学美学博士。兼任国际美学协会主席、中国中外文论学会会长、中华美学学会副会长。

The Transcendence and Return of Aesthetics

  • Received:2013-08-27 Online:2014-01-15 Published:2014-01-15

摘要: 美学的超越不是追求一种超越性,而是超出传统美学,关注生活实践、环境生态以及社会文化。超越美学,不是美学的提“纯”,而是变“杂”,成为“杂美学”。但是,这绝不是取消美学。所谓美学过时、美学取消的言论,正是在这个过程中出现的。“杂美学”只是过渡。在当代社会,图像泛滥,消费文化主导,艺术和审美都发生着深刻的变化。在这种情况下,我们需要美学的回归。这种回归,不是重回传统美学,而是创造新美学。新美学要重新阐释艺术的功能,要重新定义审美在生活中的意义,也要重新建构自然环境、社会文化等各个领域的美学。这是对美学复兴的呼唤,也是对正在出现的现实过程和学术发展趋势的描述。
关键词:

关键词: 超越性, 传统美学, 美学回归, 杂美学

Abstract:  The transcendence of aesthetics does not seek transcendence beyond this world; instead, it strives to move beyond the limits of traditional aesthetics and to engage real life experiences and larger issues concerning natural environment, ecology, culture and society. It is not to “purify,” but to “mix”. The transcendence of aesthetics is to develop a “mixed aesthetics” instead of dissolving it, though there exist a popular misunderstanding that aesthetics is outdated and should be abandoned. “Mixed aesthetics” represents a transitional stage of aesthetics. In a world that is dominated by consumer culture and flooded with images, both arts and aesthetic tastes are undergoing profound changes. The changing world calls for the return of aesthetics, but this would not be a simple reversion to the old tradition, but rather the creation of a new aesthetics. This new aesthetics is to reinterpret the function of arts, redefine the meaning of aesthetics in life, and to reconstruct aesthetic theories applicable to the natural environment, human society and culture. This paper not only calls for the revival of aesthetics but also tries to describe the current situation and developing trends in this field of study.
 

Key words: Transcendence, traditional aesthetics, return of aesthetics, mixed aesthetics

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