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上海大学学报(社会科学版)

• 影视理论研究 •    下一篇

侯孝贤作品的人文亲和力及其文化品格 ——兼议台湾“新电影”的崛起及其人文脉理

黄式宪   

  1. 北京电影学院文学系
  • 收稿日期:2012-09-21 修回日期:2013-01-15 出版日期:2013-03-15 发布日期:2013-03-15
  • 作者简介:黄式宪（1935）， 男，上海市人。北京电影学院文学系教授。

Humanistic Affinity and Cultural Character of Hou HsiaoHsien' s Movie Works
——Also on the Rise and Humanistic Features of Taiwan "New Movies"

HUANG Shi-xian   

  1. Department of Literature, Beijing Film Academy, Beijing 100088, China
  • Received:2012-09-21 Revised:2013-01-15 Online:2013-03-15 Published:2013-03-15

摘要： 侯孝贤作为台湾新电影的主将，与杨德昌等年青一代导演的创作一起，以文化主体性的苏醒为主题，将电影提升为一种审度自我成长、反省历史经验的语言，关注台湾从纯朴的农耕文明向现代工业文明的艰难转型，焕发出一种可贵的人文亲和力。侯孝贤的作品深深扎根于台湾“乡土文学”的肥沃土壤，具有厚重的文化品格。特别是《悲情城市》对历史的诗意钩沉，隐含着一种遒劲的历史笔调，重构了一段不可被遗忘的悲剧史实，将个人记忆转化为“人民记忆”，以介入式的历史意识描绘了一幅沉重而苍凉的史诗长卷，给我们带来有益的文化启迪。

关键词: 台湾新电影, 文化主体性, &ldquo, 乡土文学&rdquo, 之根, 人文亲和力, 介入式的历史意识

Abstract: As a leading director of Taiwan new movie, Hou Hsiaohsien, together with other directors including Yang Dechang, has created many influential films with valuable humanistic affinity. These films focus on the revival of cultural subjectivity, estimate ego growth, reflect on historical experience, and examine the hard transition of Taiwan from simple farming civilization to modern industrial civilization. In particular, the works of Hou Hsiaohsien take as root Taiwan native literature and are rich in cultural connotation. As his magnum opus, A City of Sadness displays a poetical picture of history, reconstructs a tragic period that should never be forgotten as part of history, sublimates personal memory into "people' s memory", composes an epic based on individual historical consciousness and brings much beneficial cultural enlightenment.

Key words: Taiwan new movie, cultural subjectivity, root of "native literature", humanistic affinity, intervention of individual historical consciousness

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