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上海大学学报(社会科学版)

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殉道殉情完世业,依新依旧共诗神 ——论吴宓的诗歌批评观

  

  1. 吉林大学文学院，漳州师范学院中文系
  • 收稿日期:2010-10-20 出版日期:2012-09-15 发布日期:2012-09-15
  • 作者简介:孙媛（1975）， 女，河北省张家口市人。吉林大学文学院在站博士后，漳州师范学院中文系副教授，文学博士，研究方向为基础文艺理论和现代文论史。
  • 基金资助:

    教育部哲学社会科学研究后期资助项目(11JHQ048)

Finishing the Undertaking from the Combination of Sense and Sensibility，
Construsting the poetic soul from the Integration of the New and the Old
——The study of Wu Mi' s thought about poetic criticism

  • Received:2010-10-20 Online:2012-09-15 Published:2012-09-15

摘要：

在吴宓的诗歌批评观念中，“情”与“道”的关系不是相互对立和矛盾的，而是相辅相成、圆融会通的；诗歌形式成功与否，不以新旧而论，关键是要具备韵律格调之美。用今天的眼光来看，在主张恣肆奔放地宣泄情感及展示个性的白话新诗运动和“诗体大解放”主张占据了主导地位的中国现代诗歌的发展过程中，吴宓的诗歌批评观念展现了20世纪上半叶中国诗坛在白话诗理论主流之外的另一诗论倾向，在客观上给中国新诗的现代发展提供了另一种可供选择的可能性。

关键词: 吴宓, 诗歌, 情与道, 新与旧

Abstract:

This essay elaborates Wu Mi' s poetic criticism. According to Wu Mi' s poetry ideals, firstly ,the relation between sensibility and sense isn' t contradictory,but supplement each other;secondly, the standard of the external form of poetry' s characteristics isn' t “new” or “old”, but the beauty of poetic rhythm. In the Chinese modern poetry  development course during which the feelings and individuality were overemphasized, Wu Mi' s poetic thought showed another tendency of literary criticism besides the free verse written in the vernacular.Objectively, Wu Mi' s poetic thought provided the Chinese new poetry development with another selection.

Key words: WU Mi, Poetry, The sense and sensibility, The new and the old

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