上海大学学报(社会科学版)

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试论清代弹词的文体分化过程及其特点

  

  1. 天津师范大学文学院
  • 收稿日期:2011-03-04 出版日期:2012-07-15 发布日期:2012-07-15
  • 通讯作者: 盛志梅(1972 ),女, 山东省日照市人。天津师范大学文学院副研究员,文学博士。
  • 作者简介:盛志梅(1972 ),女, 山东省日照市人。天津师范大学文学院副研究员,文学博士。
  • 基金资助:

    国家社科基金青年项目(05CZW005);天津市教委科研项目(52WM69)

On the Process and Characteristics of Style Differentiation of Tanci in Qing Dynasty

  • Received:2011-03-04 Online:2012-07-15 Published:2012-07-15

摘要:

文学文体作为作品语言的存在体,不仅仅是一个单纯的体裁归类问题,它更多的涵义是包括以“体”来表述作家的个性风格、流派或作品的时代风格特征等。弹词的“文体分化”是指代言体弹词在书场和书斋两个不同的生存领域里,从叙事体弹词中逐渐分化出来,成长为书场弹词主要的讲唱、创作方式的过程。在这个过程中,不仅仅考察弹词体裁的变化,还包涵了对弹词作者的创作风格、作品叙事体制、演出市场、时代风尚等诸因素的综合考量。总之,清代弹词的文体分化趋势,是文体随着整体文化的成熟而不断向精致化的方向发展的必然结果。

关键词: 代言体弹词, 文化成熟, 清代弹词, 文体分化

Abstract:

As the carrier of language, the literary style is not simply about genre but reflects more about the writer's personality, school or the works' era characteristics. The "style differentiation" of Tanci refers to the process during which Dialogue Tanci separates from Narrative Tanci in the two different workplaces of "booth" and "study" to become the main form of telling and singing as well as to lead the composing trend of Tanci. This process not only contains the genre change of Tanci but also shows a general picture of the author's creation style, the narrative mechanism of works, the performance market, the prevailing vogue, etc. In short, the style differentiation of Tanci in Qing Dynasty is an inevitable result from the continuous refinement of style with the maturity of overall culture.

Key words: Tanci in qing dynasty, style differentiation, Dialogue Tanci, maturity of culture

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