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上海大学学报(社会科学版)

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嵌入方式的生成及其在意图叙事中的功能——以元明清叙事文本为分析对象

许建平   

  1. 上海交通大学人文学院
  • 收稿日期:2011-08-09 出版日期:2012-05-15 发布日期:2012-05-15
  • 通讯作者: 许建平（1958-）， 男，河北鹿泉人。上海交通大学人文学院教授、博士生导师，文学博士，研究方向：明清文学和古代小说。
  • 作者简介:许建平（1958-）， 男，河北鹿泉人。上海交通大学人文学院教授、博士生导师，文学博士，研究方向：明清文学和古代小说。
  • 基金资助:

    国家社科基金项目（08BZW043）

The Formation of Embedding and Its Function in Narration
——A Case study of the Narratives of Yuan, Ming and Qing Dynasties

 XU Jian-Ping   

  • Received:2011-08-09 Online:2012-05-15 Published:2012-05-15

摘要：

序列的本质是行为者意图从生成到意图实现的过程。序列因行为者在叙事中的地位不同而分为主意图序列和次意图序列。嵌入是将次要人物意图序列插入主要人物意图序列的叙事方式。嵌入生成于主意图序列的内缺失和叙事者意图的外缺失及其合力。嵌入序列行为主体与主序列行为主体间存在着同意图与异意图、帮助者与反对者的不确定性关系，这两种关系的不确定导致故事的叙述方向不确定。中国古代叙事的嵌入方式有着独特的民族性，这种民族性源于中国古代特有的意象思维方式。

关键词: 嵌入, 序列, 意图叙事, 意象思维

Abstract:

 sequence is formed when the actant' s intention is actualized. Based on the roles the actors play in the narration, the sequences can be divided into major intention sequence and secondary intention sequence. Embedding refers to the insertion of the intention sequence of secondary roles into the intention sequence of major roles. Embedding occurs when either the major intention sequence or the narrator' s intention is absent or when both are both absent. As the actant of the embedded sequence might be the helper or the opponent of the actant of major sequence, the intention of the former either accords with or differs from that of the latter. Hence, the direction of the narrative is unpredictable. Embedding employed in ancient Chinese narratives has its own national features, which are conditioned by the imagistic mode of thinking in ancient China.

Key words: Embedding, sequence, intention, the imagistic way of thinking

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