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上海大学学报(社会科学版)

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“空间”与“越界” ——论全球化时代好莱坞电影的类型特征与叙事转向　

  

  1. 华中师范大学文学院
  • 收稿日期:2011-06-20 出版日期:2011-11-15 发布日期:2011-11-15
  • 作者简介: 李显杰（1954）， 男，湖南湘潭人。华中师范大学文学院教授，文学博士，主要从事影视艺术理论与文艺美学研究。

Space and Transcending
——The Genre Characteristics and Narrative
Turn of Hollywood Films at the Age of Globalization

  • Received:2011-06-20 Online:2011-11-15 Published:2011-11-15

摘要：

 立足于空间关系的叙事构成是类型电影的基本特征，“越界”叙事则是类型电影充满活力的内在机制。在类型的套路中，追求一种差异化的表现，是好莱坞电影能够始终保持良性循环状态的重要特征。全球化时代的文化转向使 “跨类型”的“越界”叙事，得到了更为广泛的尝试和运用，“反类型”的“越界”手法和多元化的模式混搭，显示出好莱坞电影在叙事空间的建构和布局上的叙事转向。尤其是好莱坞类型电影建立在全球视野上的“越界意识”，使类型电影呈现出向后类型电影过渡的市场策略和文化动向，是全球化时代的到来与类型电影的当代发展所必然产生的共振现象。
关键词：

关键词: 全球化时代, 好莱坞类型电影, 叙事空间, 越界, 后类型电影

Abstract:

]While genre films are characteristic of the narrative structure grounded on space relationships, transcending narratives consist of their interior mechanism full of vitality. Hollywood films can keep a virtuous cycle all the time simply because they pursue a different performance in the formula. On the one hand, the cultural turn at the age of globalization promotes a wider attempt or application for the transcending narrative of crossing genres; and on the other hand, the mixture of antigenre transcending methods and diversified modes display the narrative turn of Hollywood films in the structure and layout of the narrative space. Especially, Hollywood' s transcending consciousness based on the global view makes genre films unfold a market strategy or cultural trend of the transition to postgenre films, which is an inevitable resonance phenomenon of the coming of global age and the current development of genre films.
Key words：

Key words: While genre, films are characteristic, of the narrative structure, grounded

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