上海大学学报(社会科学版)

• 艺术学研究 • 上一篇    下一篇

当代绘画中的“去精英”现象

  

  1. 上海大学美术学院
  • 收稿日期:2010-10-30 出版日期:2011-09-15 发布日期:2011-09-15
  • 作者简介:黑龙江省哈尔滨市人。上海大学美术学院教授,主要研究方向:视觉文化、艺术批评、公共艺术。

The DeElitism in China' s Contemporary Paintings

  • Received:2010-10-30 Online:2011-09-15 Published:2011-09-15

摘要:

传统精英绘画是服务于上层社会的小众艺术,这种艺术在时代转变后已寿终正寝。在当代艺术市场条件下,精英与非精英的区别与社会身份和服务对象有关。精英画家以服务于上层社会为主,非精英画家以服务于中下层社会为主,两者多有经济收益不同而少有艺术质量不同。因此,除了经济意义之外,我国当代绘画已鲜有文化上的精英意义,部分当代画家为寻求生存会选择“伪高雅”的创作方式,此外则是大量表达世俗欲望的“凡俗”绘画的泛滥。这些问题的出现与社会贫富差距过大有关,富裕阶层的附庸风雅习气和文化管理部门的物质刺激手段,使当代绘画成为缺少文化指征的市场牺牲品。
关键词:

关键词: 精英绘画, 小众艺术, 去精英, 行画, 艺术市场

Abstract:

The DeElitism in China' s Contemporary Paintings(School of Fine Arts, Shanghai University, Shanghai 200444, China) Abstract: The traditional elite painting is of minority art, which serves the people in the upper society. This kind of art, after undergoing a transformation of era, dies a natural death. Under the condition of contemporary market of art, the difference between elites and nonelites is related closely to social identity and service object. While the elite artist mainly serves the people in the upper society, the nonelite artist takes the people in the lower and middle societies as main service object. Both have more difference in economic income and less difference in artistic quality. Therefore, for China' s contemporary paintings, there is no cultural elite connotation but economic meaning. Of course, in order to seek for survival, part of contemporary paintings will choose a creative mode of the "false elegance". But what most of painters create are "vulgar" works displaying worldly desires. The emergence of these circumstances has something to do with the excessive difference between wealth and poverty. It is the arty fashion from wealthy people and the material incentive means from cultural administrations that make China' s contemporary paintings being the market victims short of cultural indications.

Key words: elite painting, minority art, deelitism, commerce painting, art market