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上海大学学报(社会科学版)

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民族国家意识的延宕与缺席： 南京国民政府成立前中国电影的 传播制度及其空间拓展　

  

  • 收稿日期:2011-03-20 出版日期:2011-05-15 发布日期:2011-05-15
  • 基金资助:

    国家社会科学基金艺术学研究项目（05CC071）

he Delay and Absence of National Consciousness
——China' s System of Film Dissemination and Its Expansion
of Space before the Founding of the Nanjing KMT Government

  • Received:2011-03-20 Online:2011-05-15 Published:2011-05-15

摘要：

摘要： 南京国民政府成立以前，亦即从电影传入中国至1927年之间，中国电影传播主要诉诸道德与风化，基本无关民族与国家。民族国家意识的延宕与缺席，与落后保守的价值导向及混乱无序的官方介入结合在一起，使这一时期的中国电影几乎处在一种特殊的无政府状态，并导致中国电影从一开始就陷入目标/效果的错位与传者/受众的分裂之境。民初前后的中国电影及其观众群体，也在电影传播迅速滋长、日渐繁盛的过程中体会到了某种不羁的自由与失范的快感，当然也品尝到了一些价值的困惑与认同的焦虑。

关键词:  中国电影传播, 民族国家意识, 民国时期, 南京国民政府, 传播制度

Abstract:

he Delay and Absence of National Consciousness
——China' s System of Film Dissemination and Its Expansion
of Space before the Founding of the Nanjing KMT Government(School of Arts, Beijing University, Beijing 100871, China)Abstract： Before the founding of the Nanjing KMT Government, or during the time from the introduction of film into China to 1927, the dissemination of China' s film mainly concerned with morals, having basically nothing with nation and state. The delay and absence of national consciousness, combined with unenlightened, oldfashioned value orientation and confused, disorderly official intervention, make China' s film of this period almost placed in extreme anarchy, resulting in a condition where the Chinese film, from the start, falls into the dislocation of target and effect, and also into the abruption of disseminator and audience. And the Chinese film and its audience in the early period of the Republic of China, during the course of the fast growing and gradual thriving of the Chinese film, realizes a kind of unruly freedom and abnormal pleasure, and, of course, tastes a kind of value puzzlement and identity anxiety.

Key words: The Delay and Absence , f National Consciousness, Chinas System of Film Dissemination and Its Expansion