上海大学学报(社会科学版)

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论海德格尔对视觉中心主义的消解

  

  1. 复旦大学
  • 出版日期:2010-04-25 发布日期:2010-04-25
  • 作者简介:高燕(1975),女,安徽定远人。复旦大学讲师,文学博士,主要研究方向为西方美学、视觉文化、影视美学。
  • 基金资助:

     教育部人文社会科学研究青年项目(09YJC720009)

On Heidegger's Disintergration of Visual-Centrism

  • Online:2010-04-25 Published:2010-04-25

摘要:

视觉中心主义对本质的追求和对主客二分的坚守为西方思想的形而上学传统提供了前提预设和思维指向。柏拉图划分肉体之眼和心灵之眼,最早为形而上学确立视觉中心主义传统,从笛卡尔到胡塞尔的西方哲学在探讨意识时都以视觉中心主义为参照模式和运思方式。海德格尔以清理视觉中心主义为契机,着手消除形而上学传统的危害。通过对存在之“呈现”的论述,海德格尔解构了传统形而上学中的视觉中心主义,建构起存在论层面上的视觉观念。但在德里达看来,海德格尔对传统的否定由于仍然囿于传统的思维模式和表述方式,因而是不彻底的。

关键词: 海德格尔;视觉中心主义;呈现;柏拉图;胡塞尔;德里达

Abstract:

The modernity of Hotel du Lac is very distinct: not only does the novel make a deep approach to the loneliness of modern consciousness, showing the protagonist' s confusion of personal identity and existential meaning as well as the persistent pursue of them although being in vain, but also the novel, when describing the protagonist' s development of character and psychology, is so influenced by Freud' s psychoanalysis as to make a good use of stream consciousness, disclosing the protagonist' s "psychological reality", in addition to the traditional description of purely objective way. At the same time, the novel also comprises the elements of postmodernity, which is not able to be ignored. As far as the postmodern meaning is concerned, the novel implies, not more than once, Lacan' s imaginary order and symbolic order, and, by using a lot of male discourse, depicts the female in the novel, showing a deep concern for the singular intellectual female' s anxiety in the present British society. Moreover, it adopts such techniques of postmodernism as intertextuality, metafiction and impression pictures. Therefore, instead of just a novel characteristic of classic, traditional realism, it should be considered as a new realistic novel, which is on the rise both in the United Kingdom and in the United States.

Key words: Hotel du Lac; modernity; postmodernity; male discourse; post modern picture

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