上海大学学报(社会科学版)

• 哲学美学 • 上一篇    下一篇

关于“实践存在论”美学及其论争

  

  1. 中华人民共和国教育部高等学校社会科学发展研究中心
  • 收稿日期:2010-02-26 出版日期:2010-05-15 发布日期:2010-05-15

The Aesthetics of "Practical Existence" and Its Controversy

  1. Center of Social Sciences, Ministry of Education
  • Received:2010-02-26 Online:2010-05-15 Published:2010-05-15

摘要:

“实践存在论”美学是我国当代美学研究中出现的一类观点。其基本特点是:人的存在在其理论中具有突出的优先地位,“一般的人”和“人的一般本性”是其重要理论基础之一。马克思主义的实践范畴被明显泛化,审美主客体之间的认识关系被体验关系所排斥和否定。其实质在于:以主体性排斥物质性,这是我国20世纪70年代末以来个体主体性理论思潮的延续和向美学、文艺学学科纵深的渗透;以抽象化排斥具体化,这是一个时期以来资本积累逻辑在我国社会生活一定范围内的不断发展和浸润,在美学、文艺学领域所引发的一个必然结果;以感性体验排斥本质认识,这是20世纪90年代以来,由于西方后现代主义观念影响的日益强化,在我国审美或文艺领域出现的反本质、反理性的解构思潮的一种体现。

关键词: 特征, 实质,  “实践存在论”美学

Abstract:

 The aesthetics of "practical existence", as one of the theories in China' s contemporary study of aesthetics, is characteristic of human existence being placed prominent priority while "average person" and "person' s general nature" being one of the important theoretical basis. Marxist practical concept is obviously generalized and the cognition relation between subject and object in aesthetics is excluded and negated by experience relation. The essence of this theory can be summarized as follows: first, using subjectivity to exclude materiality, which displays, since the end of 1970s, the continuation of individual subjectivity theory and the deep infiltration into the subjects of aesthetics, literature and art; secondly, using abstraction to exclude specificity, which displays, for a period of time, the development and invasion of capital accumulative logic in China' s certain social life, and an inevitable result produced in aesthetics, literature and art; thirdly, using perceptual experience exclude essential cognition, which displays, since 1990s, a deconstructive trend of antinature and antireason in China' s fields of aesthetics, literature and art, with the everstrengthening influence of postmodernism in the Western countries.