上海大学学报(社会科学版)

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重新理解电影悬念

  

  1. 上海应用技术学院人文学院
  • 收稿日期:2010-03-30 出版日期:2010-05-15 发布日期:2010-05-15

A New Understanding of the Film Suspense

  • Received:2010-03-30 Online:2010-05-15 Published:2010-05-15

摘要:

电影悬念设置是各种类型的电影中普遍存在的,它既是电影叙事手段又与观影心理密切相关,承担着调动并维持观众观影兴趣的叙事功能。对电影悬念的理解是与其他虚构类叙事性艺术的悬念问题紧密相联的。悬念是创作者通过对某些特定信息(往往与生死攸关的危险、令人期待的欲望等有关)予以隐藏或强调的叙事技巧在虚构叙事性文本中所预设的,引发接受者产生期待(正向度情感)或恐惧(负向度情感)等不确定性情感反应的叙事活动。悬念具有跨媒介性质,电影以其特有的媒介和表现方式,拥有了更加复杂的悬念生成机制。

关键词: 悬念, 电影悬念, 电影媒介

Abstract:

In all types of films, suspense is set universally, which is both a means of film narratives and related closely to the psychology of seeing a movie, performing a narrative function of mobilizing and sustaining audience' s interest for seeing the film. The understanding of film suspense concerns about other suspense issues of fictional narratives. This essay holds that suspense, as a narrative activity of uncertain emotional responses such as expectation (positive emotion) and terror (negative emotion), is preset in the fictional, narrative text by way of hiding or stressing the specific information (often connected with the risk of life and death, or with the desire to look forward to). While suspense is characteristic of crossmedia, the film, by virtue of its specific media and expression, possesses a more complex mechanism of suspense.

Key words: suspense, film suspense, film media