English

上海大学学报(社会科学版) ›› 2010, Vol. 17 ›› Issue (06): 93-103.

• 文学研究 • 上一篇    下一篇

图像性的减弱： 汉代咏史诗的一种解读

  

  • 收稿日期:2010-05-10 出版日期:2010-11-15 发布日期:2010-11-15

Image Weakening: an Interpretation of the
Poem about History in the Han Dynasty

  • Received:2010-05-10 Online:2010-11-15 Published:2010-11-15

摘要：

 咏史诗从班固到建安诗人，表现出一种图像性减弱和个体情志增强的趋势。班固的咏史诗的特性从正面看是具有较强的图像性。从历史记载来看，缇萦故事很可能是班固经常见到的画像故事，他的诗歌当与之有较强对应关系。到了阮瑀与王粲的咏史诗中，情节的概述似乎不那么被看重，图像性减弱的同时，诗人的情志被凸显。这种倾向在曹植《三良》诗中有最充分的表现，显示出建安时期，咏史诗向抒情诗靠拢的倾向。

关键词:  咏史诗；图像性；个体情志

Abstract:

 From the time of Ban Gu to the era of Jian An (196—220), the poem about history shows a tendency to image weakening. Accompany with this weakening, the personal emotion gradually strengthens. Ban Gu' s poems about history, judging from a positive viewpoint, feature a strong image. According to historical records, Ti Ying' s story is very likely to be one of the picture stories Ban Gu often sees. With it, his poems have a strong correspondence. But, later, in the poems about history of Ruan Yu and Wang Can, the narration of the plot seems not to be attached importance to. While the image weakens, the poet' s emotion is highlighted. This tendency is most obviously displayed in Cao zhi' s "Three Goods", which proves that the poem about history is going towards the lyric.

Key words: poems about history; image; personal emotion

中图分类号: