上海大学学报(社会科学版)

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“前现代”寓言、类型拼贴与泛亚语境建构——当代韩国宗教题材电影的主题学分析

  

  • 收稿日期:2010-06-02 出版日期:2010-11-15 发布日期:2010-11-15
  • 基金资助:

    上海市2008年度“曙光计划”研究成果(08SG43);上海市重点学科“电影学”项目(S30103)

The "PreModern" Fable, the Genre Assembly and
the Construction of the TransAsia Context
——An Analysis of the Theme of Contemporary
South Korea' s Religious Film

  • Received:2010-06-02 Online:2010-11-15 Published:2010-11-15

摘要:

宗教电影是韩国当代电影创作的一个重要分支,它们同步参与了韩国当代社会文化与民族集体心理的现代性转型,也形成迥异于西方经典宗教电影的表现主题与泛亚美学特征。根据主题表现度对当代韩国宗教题材电影进行分类,可以概括其三种美学特征:高纯度宗教电影的寓言化特征;宗教题材的通俗化处理;现实语境中围绕宗教信仰的国民性反思。作为泛亚地区面对当代西方文化的一个缩影,韩国宗教题材电影不断强化自身的民族主体性与情感价值,其多元发展的美学形态也提供了比较研究的视野。

关键词:  当代韩国宗教电影;主题学;泛亚语境

Abstract:

As a branch of South Korea' s contemporary film creation, South Korea' s religious film participates in its modern transformation of contemporary social culture and national collective psychology, and also features the expressive theme and transAsian aesthetics, which are different from the classic religious film in the Western countries. This essay, based on the thematic expressive degree, has a classification of South Korea' s contemporary film of religious topics, generalizing three aesthetic characteristics: (1) the highpure allegorization of religious films; (2) the popularization of religious topics; (3) the reflection on the national identity surrounding the religious faith in the context of reality. As an epitome of the Western contemporary culture in the area of transAsia, South Korea' s religious films continuously strengthen their national subjectivity and emotional value, the diversified aesthetic form of which provides a visual field of comparative study.

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