上海大学学报(社会科学版)

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华语电影:世纪性文化整合及其当下的现代性抉择——兼论21世纪初全球化与本土化之抗衡及其必然的历史走势

黄式宪   

  • 收稿日期:2008-09-09 修回日期:1900-01-01 出版日期:2008-11-15 发布日期:2008-11-15

ChineseLanguage Films: a Century of Cultural Integration and a Current Modern Choice——Also Comment on the Competition Between Globalization and Indigenization of the 21st Century and Its Inevitable Historical Tendency

HUANG Shi-xian   

  1. Department of Literature, Beijing Film Academy
  • Received:2008-09-09 Revised:1900-01-01 Online:2008-11-15 Published:2008-11-15

摘要: 摘要: 华语电影指的是中国大陆、台湾、香港、澳门以及海外华裔电影之总称。在20世纪最后20年间,海峡两岸暨香港三地的新一代导演以其现代性的文化品格而崛起,实现了华语电影世纪性的文化整合。到了21世纪伊始的这七八年,在《卧虎藏龙》、《英雄》、《赤壁》之后,华语电影业已进入了“后‘大片’时期”。面对全球化的严峻语境,如何认知华语电影现实的生存境遇,促成华语电影在产业与文化上渐趋良性、和谐与可持续性的发展,这是一个具有迫切性的实践课题。

关键词: 华语电影, 全球化与本土化, 文化趋同性危机, 民族文化的主体性, 电影产业重组

Abstract: Abstract: As a generic term, the Chineselanguage film refers to the film produced by the Chinese people who live in the Chinese mainland, Taiwan, Hong Kong, Macao and oversea areas. In the last 20 years of the 20th century, a new generation of the Chineselanguage film directors in the above areas has grown up by reason of their cultural features of modernity and realized a century of cultural integration. Up to the first few years of the new century, after producing such films as Crouching Tiger and Hidden Dragon, Heroes, and The War of the Red Cliff, the Chineselanguage film has entered into the period of the "postbigfilm". Under the grim context of globalization, it is an imminent task for the Chineselanguage films to cognize their existing realistic environment so as to promote their good, harmonious, durative development in industry and culture.

Key words: globalization and indigenization, the crisis of cultural similarity, the subjectivity of national culture, the recombination of film industry, Key words: Chineselanguage film

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