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上海大学学报(社会科学版)

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直面现实的艺术审美深度——20世纪80年代中国电影审美表现探究

周星
  

  1. 北京师范大学艺术与传媒学院
  • 收稿日期:2008-06-20 修回日期:1900-01-01 出版日期:2008-09-15 发布日期:2008-09-15

Deepening the Aesthetics of the Artistic Reality
——A Probe into the 1980s Chinese Film Aesthetics

ZHOU Xing   

  1. School of Art and Communication, Beijing Normal University
  • Received:2008-06-20 Revised:1900-01-01 Online:2008-09-15 Published:2008-09-15

摘要： 20世纪80年代中国电影从恢复现实主义观念开始，对社会现实给予极大关注，对人生矛盾的正视和对生活情感状况的深入反映，使电影艺术再一次跃上新的高点。现实主义审美观和表现手法重新占据主导位置，基本表现为对社会矛盾和人心情感深度的现实关照以及维护真实之美感。对历史的反思已经超越了就事论事的层面，而深入到对人的命运和人的心路历程的表现上。审美观念的位移使直面现实的尖锐问题和揭示问题实质的立足点都放在人的情感与心灵的震荡层面，造就了电影成为一个时代艺术成熟的最重要标志。对现实的真实表现使中国电影走到了世界电影共同的轨道上来，从而走向现代电影。

关键词: 中国电影审美, 现实主义, 人性情感

Abstract:

Beginning with the recuperation of realism, the 1980s Chinese film greatly concerns about the social reality, bravely envisages the life contradiction, and deeply reflects on the human emotions, all of which drive the film art into a new height. By virtue of paying more attention to the social contradiction and the human emotion as well as the beauty of truthfulness, the realist aesthetics and techniques hold a leading position. And the reflection on history surpasses the level of judging something as it stands and goes deeper into the embodiment of the human's fates and innercourse. Such displacement of aesthetics results in the standpoint of envisaging the severe reality and disclosing the true nature being put on the shock level of human emotions and spirits, thus making the film the most important mark of the artistic mature of one age. It is the true reflection of reality that sends the Chinese film to walk up to the world, also to the film modernization.

Key words: realism, human emotion, Chinese film aesthetics

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