上海大学学报(社会科学版)

• 影视理论研究 • 上一篇    下一篇

我国当代现实主义电影思潮的变化与发展

张智华   

  1. 北京师范大学艺术与传媒学院
  • 收稿日期:1900-01-01 修回日期:1900-01-01 出版日期:2008-07-15 发布日期:2008-07-15

  • Received:1900-01-01 Revised:1900-01-01 Online:2008-07-15 Published:2008-07-15

摘要: 现实主义电影思潮在我国各种电影思潮中处于主要地位,在我国当代电影思潮中贯穿始终。现实主义电影思潮在很大程度上继承并发展了巴赞的“写实主义电影观”、“影像本体论”与“现实渐近线”理论以及意大利新现实主义电影的精神。这一思潮提倡大量采用实景拍摄,以便增强银幕空间的真实性;在表演方面则要求生活化,力求反映出生活本质,具有纪实性的特点。现实主义电影的内涵与外延处于不断变化之中,手法与形式不断创新,其核心是对现实的深切关怀和深刻表现

关键词: 现实主义, 电影思潮, 真实

Abstract: Realistic trend of movies has kept in the central position in China. The trend to a great extent has inherited and developed the neorealist spirit of Italian films and Bazin's cinematic concepts of realistic, ontology, asymptote of reality. In it, scene filming is frequently used to enforce the authenticity of the screen space; the performance is to reflect the nature of life and is characterized by documentation. The core of realistic films manifest reality by the connotation and denotation of constant change and innovation of creation and forms.

Key words: thought of films, reality, realism

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