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上海大学学报(社会科学版)

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永恒的缠连：翻拍片与香港、好莱坞电影之间的双向指涉

刘秀雅   

  1. 伦敦大学学院艺术史系，英国 伦敦 WC1E6BT
  • 收稿日期:2007-11-01 修回日期:1900-01-01 出版日期:2008-03-15 发布日期:2008-03-15
  • 通讯作者: 刘秀雅

Eternal Affairs: Remakes and Double Takes in Hong Kong and Hollywood

Maria H. Loh   

  1. Department of Art History, University College London, London WC1E 6BT, UK
  • Received:2007-11-01 Revised:1900-01-01 Online:2008-03-15 Published:2008-03-15
  • Contact: Maria H. Loh

摘要： 尽管多数好莱坞翻拍片确实是追逐利润的商业垃圾，翻拍片自身和其中蕴含的美学意义有必要仔细加以研究，以免我们陷入强化“原创”和“翻版”的等级分化的陷阱中，抹杀两者间那层似曾相识的诗意可能性。

关键词: 翻拍片, 好莱坞, 《无间行者》

Abstract: This essay will situate Martin Scorsese's The Departed (2006) within the ongoing controversy and continued popularity of remakes in both Chinese and American cinemas. While many Hollywood remakes are indeed commercial fluff made for profit, the aesthetic integrity of the remake in and of itself needs to be examined more closely so that people do not fall into the equally problematic trap of reinscribing the hierarchical division between "originals" and "copies," eviscerating the poetic possibilities of the déjà vu along the way.

Key words: Hollywood, the Departed, remake

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