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上海大学学报(社会科学版)

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论西方马克思主义人道主义理论对我国当代美学与文论的影响

马驰
  

  1. 上海社会科学院思想文化研究中心
  • 收稿日期:2007-11-01 修回日期:1900-01-01 出版日期:2008-01-15 发布日期:2008-01-15
  • 通讯作者: 马驰

The Influence of the New Marxist Humanitarianism:
On Contemporary Chinese Aesthetics and Literary Theory

  1. Research Centre of Thoughts and Culture, Shanghai Academy of Social Sciences
  • Received:2007-11-01 Revised:1900-01-01 Online:2008-01-15 Published:2008-01-15

被引次数

4

摘要： 马克思主义经典作家把毕生精力用于对社会政治、经济、革命问题的研究，他们往往从政治革命的角度去对人道主义发表意见，而少有从艺术与审美的角度去论述人道主义问题。他们对人道主义思潮的论述，大多是批判性的，这是不容否认的客观事实。西方马克思主义的人道主义思想的复杂性就在于，他们并不限于在艺术和美学的范围来论述人道主义；美学人道主义的批评理论来源于他们的人本主义的世界观、历史观。西方马克思主义的人道主义思想在政治上并没有获得多少实际成果，但在美学领域却结出了硕果。这从另一方面说明西方马克思主义的人道主义思想作为一种政治观、社会观、历史观，离开了马克思主义的基本立场，但在美学观、艺术观上对于马克思主义美学与文论的发展却有一定的借鉴意义。

关键词: 西方马克思主义, 人道主义, 人的解放

Abstract: Dedicating to the problems of social politics, economy and revolution, the first generation of Marxism discussed humanitarianism from the perspective of political revolution more than from art and aesthetics. New Marxism, not limiting their discussion on humanitarianism within art and aesthetics, is complicated and their critical theory of aesthetic humanitarianism originates their humanistic view about the world and history. New Marxism betrayed the original Marxist standpoint in which the humanitarianism is argued from a political, social, historical view, but achievements in art and aesthetics provide some good reference for developing Marxist aesthetics and literary theory.

Key words: Humanitarianism, Human liberation, New Marxism,

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